Nantucket Gray vs Jade
Nantucket Gray (Benjamin Moore) and Jade (Tikkurila) come from different manufacturers. Hue-wise, Nantucket Gray belongs to the beige-greige family and Jade to the greige-grey family. Their light reflectance values are nearly the same — 40 vs 41 — so neither will read significantly brighter or darker than the other. A ΔE of 2.8 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Nantucket Gray vs Jade in Real Spaces
1 real room side by side. Nantucket Gray and Jade are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
Nantucket Gray vs Jade Simulated Comparison
5 simulated room previews — drag the slider on each to see Nantucket Gray on one side and Jade on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Nantucket Gray comparisons
See how Nantucket Gray stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 40), opening up a space where Nantucket Gray encloses it.
At LRV 83 vs 40, White Dove is decisively the brighter choice.
At LRV 40 vs 6, Nantucket Gray is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 40), opening up a space where Nantucket Gray encloses it.
Nantucket Gray reads slightly lighter (LRV 40 vs 30), a gap that shows most in low-lit rooms.
A 12-point LRV gap (52 vs 40) makes Mizzle the marginally brighter of the two.
Agreeable Gray reflects far more light (LRV 60 vs 40), opening up a space where Nantucket Gray encloses it.
At LRV 58 vs 40, Accessible Beige is decisively the brighter choice.
At LRV 40 vs 27, Nantucket Gray is decisively the brighter choice.
French Gray reads slightly lighter (LRV 43 vs 40), a gap that shows most in low-lit rooms.
Nantucket Gray reflects far more light (LRV 40 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 40, Tranquil Dawn is decisively the brighter choice.
At LRV 40 vs 13, Nantucket Gray is decisively the brighter choice.
A 4-point LRV gap (44 vs 40) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 40), opening up a space where Nantucket Gray encloses it.
Nantucket Gray reflects far more light (LRV 40 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 40, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 40, Shoji White is decisively the brighter choice.
At LRV 83 vs 40, Snowbound is decisively the brighter choice.
Pigeon reads slightly lighter (LRV 51 vs 40), a gap that shows most in low-lit rooms.
At LRV 40 vs 12, Nantucket Gray is decisively the brighter choice.
At LRV 40 vs 8, Nantucket Gray is decisively the brighter choice.
At LRV 68 vs 40, Skimming Stone is decisively the brighter choice.
With LRVs of 41 and 40, the two reflect almost the same amount of light.
At LRV 40 vs 12, Nantucket Gray is decisively the brighter choice.
A 6-point LRV gap (45 vs 40) makes Saybrook Sage the marginally brighter of the two.
Nantucket Gray reads slightly lighter (LRV 40 vs 31), a gap that shows most in low-lit rooms.