November Skies vs Woodcliff Lake
Both from Benjamin Moore's palette. Hue-wise, November Skies belongs to the blue family and Woodcliff Lake to the greige-grey family. November Skies (LRV 49) reflects noticeably more light than Woodcliff Lake (LRV 17), a difference of 32 points that becomes especially apparent in rooms with limited natural light. November Skies runs blue while Woodcliff Lake is decidedly red, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 33.0, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
November Skies vs Woodcliff Lake Simulated Comparison
5 simulated room previews — drag the slider on each to see November Skies on one side and Woodcliff Lake on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More November Skies comparisons
See how November Skies stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 49), opening up a space where November Skies encloses it.
At LRV 69 vs 49, Ammonite is decisively the brighter choice.
November Skies reflects far more light (LRV 49 vs 6), opening up a space where Iron Ore encloses it.
A 3-point LRV gap (52 vs 49) makes Purbeck Stone the marginally brighter of the two.
At LRV 49 vs 30, November Skies is decisively the brighter choice.
Mizzle reads slightly lighter (LRV 52 vs 49), a gap that shows most in low-lit rooms.
A 12-point LRV gap (60 vs 49) makes Agreeable Gray the marginally brighter of the two.
Accessible Beige reads slightly lighter (LRV 58 vs 49), a gap that shows most in low-lit rooms.
November Skies reflects far more light (LRV 49 vs 27), opening up a space where Denim Drift encloses it.
A 5-point LRV gap (49 vs 43) makes November Skies the marginally brighter of the two.
At LRV 49 vs 4, November Skies is decisively the brighter choice.
Tranquil Dawn reads slightly lighter (LRV 55 vs 49), a gap that shows most in low-lit rooms.
November Skies reflects far more light (LRV 49 vs 13), opening up a space where Bancha encloses it.
November Skies reads slightly lighter (LRV 49 vs 44), a gap that shows most in low-lit rooms.
At LRV 84 vs 49, Pure White is decisively the brighter choice.
At LRV 49 vs 21, November Skies is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 49), opening up a space where November Skies encloses it.
Shoji White reflects far more light (LRV 74 vs 49), opening up a space where November Skies encloses it.
Snowbound reflects far more light (LRV 83 vs 49), opening up a space where November Skies encloses it.
November Skies reflects far more light (LRV 49 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 49), opening up a space where November Skies encloses it.
A 8-point LRV gap (49 vs 41) makes November Skies the marginally brighter of the two.
At LRV 68 vs 49, Calamine is decisively the brighter choice.
At LRV 49 vs 25, November Skies is decisively the brighter choice.
November Skies reflects far more light (LRV 49 vs 12), opening up a space where Vintage Vogue encloses it.
November Skies reads slightly lighter (LRV 49 vs 45), a gap that shows most in low-lit rooms.
At LRV 49 vs 31, November Skies is decisively the brighter choice.
At LRV 49 vs 7, November Skies is decisively the brighter choice.
At LRV 49 vs 24, November Skies is decisively the brighter choice.
A 9-point LRV gap (57 vs 49) makes Guilford Green the marginally brighter of the two.