Old Gold vs Soft Pumpkin paint color comparison

Old Gold vs Soft Pumpkin

Old GoldBenjamin MoorevsSoft PumpkinBenjamin MooreΔE 8.6Noticeable difference

Old Gold and Soft Pumpkin come from the same Benjamin Moore collection. Both sit in the beige family, which is useful context if you're narrowing within a single hue direction. Their light reflectance values are nearly the same — 43 vs 42 — so neither will read significantly brighter or darker than the other. Both share a red character, which means they'll respond to light and surrounding materials in similar ways. ΔE 8.6 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Old Gold
Benjamin Moore · 167
Hex#E1A863
LRV42.8
BrandBenjamin Moore
Number167
UndertoneRed
TemperatureWarm
BrightnessMedium
Soft Pumpkin
Benjamin Moore · 2166-40
Hex#E1A16D
LRV41.8
BrandBenjamin Moore
Number2166-40
UndertoneRed
TemperatureWarm
BrightnessMedium

Old Gold vs Soft Pumpkin Simulated Comparison

5 simulated room previews — drag the slider on each to see Old Gold on one side and Soft Pumpkin on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Old Gold comparisons

See how Old Gold stacks up against other well-photographed colors across different brands and tones.

White Dove
Old Gold
White Dove
Benjamin Moore
Old Gold
167 · LRV 43

At LRV 83 vs 43, White Dove is decisively the brighter choice.

Ammonite
Old Gold
Ammonite
Benjamin Moore
Old Gold
167 · LRV 43
Farrow & Ball
Ammonite
LRV 69

Ammonite reflects far more light (LRV 69 vs 43), opening up a space where Old Gold encloses it.

Iron Ore
Old Gold
Iron Ore
Benjamin Moore
Old Gold
167 · LRV 43

At LRV 43 vs 6, Old Gold is decisively the brighter choice.

Purbeck Stone
Old Gold
Purbeck Stone
Benjamin Moore
Old Gold
167 · LRV 43

Purbeck Stone reads slightly lighter (LRV 52 vs 43), a gap that shows most in low-lit rooms.

Evergreen Fog
Old Gold
Evergreen Fog
Benjamin Moore
Old Gold
167 · LRV 43

Old Gold reflects far more light (LRV 43 vs 30), opening up a space where Evergreen Fog encloses it.

Mizzle
Old Gold
Mizzle
Benjamin Moore
Old Gold
167 · LRV 43
Farrow & Ball
Mizzle
LRV 52

A 9-point LRV gap (52 vs 43) makes Mizzle the marginally brighter of the two.

Agreeable Gray
Old Gold
Agreeable Gray
Benjamin Moore
Old Gold
167 · LRV 43

Agreeable Gray reflects far more light (LRV 60 vs 43), opening up a space where Old Gold encloses it.

Accessible Beige
Old Gold
Accessible Beige
Benjamin Moore
Old Gold
167 · LRV 43

At LRV 58 vs 43, Accessible Beige is decisively the brighter choice.

Denim Drift
Old Gold
Denim Drift
Benjamin Moore
Old Gold
167 · LRV 43

At LRV 43 vs 27, Old Gold is decisively the brighter choice.

French Gray
Old Gold
French Gray
Benjamin Moore
Old Gold
167 · LRV 43

With LRVs of 43 and 43, the two reflect almost the same amount of light.

Naval
Old Gold
Naval
Benjamin Moore
Old Gold
167 · LRV 43
Sherwin-Williams
Naval
LRV 4

Old Gold reflects far more light (LRV 43 vs 4), opening up a space where Naval encloses it.

Tranquil Dawn
Old Gold
Tranquil Dawn
Benjamin Moore
Old Gold
167 · LRV 43

At LRV 55 vs 43, Tranquil Dawn is decisively the brighter choice.

Bancha
Old Gold
Bancha
Benjamin Moore
Old Gold
167 · LRV 43
Farrow & Ball
Bancha
LRV 13

At LRV 43 vs 13, Old Gold is decisively the brighter choice.

Hardwick White
Old Gold
Hardwick White
Benjamin Moore
Old Gold
167 · LRV 43

Their light reflectance is nearly identical (LRV 44 vs 43), so neither reads brighter in a room.

Pure White
Old Gold
Pure White
Benjamin Moore
Old Gold
167 · LRV 43

Pure White reflects far more light (LRV 84 vs 43), opening up a space where Old Gold encloses it.

Artichoke
Old Gold
Artichoke
Benjamin Moore
Old Gold
167 · LRV 43
Sherwin-Williams
Artichoke
LRV 21

Old Gold reflects far more light (LRV 43 vs 21), opening up a space where Artichoke encloses it.

Balboa Mist
Balboa Mist
Old Gold
Benjamin Moore
Old Gold
167 · LRV 43

At LRV 66 vs 43, Balboa Mist is decisively the brighter choice.

Shoji White
Old Gold
Shoji White
Benjamin Moore
Old Gold
167 · LRV 43

At LRV 74 vs 43, Shoji White is decisively the brighter choice.

Snowbound
Old Gold
Snowbound
Benjamin Moore
Old Gold
167 · LRV 43
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 43, Snowbound is decisively the brighter choice.

Pewter Green
Old Gold
Pewter Green
Benjamin Moore
Old Gold
167 · LRV 43

At LRV 43 vs 12, Old Gold is decisively the brighter choice.

Skimming Stone
Old Gold
Skimming Stone
Benjamin Moore
Old Gold
167 · LRV 43

At LRV 68 vs 43, Skimming Stone is decisively the brighter choice.

Dix Blue
Old Gold
Dix Blue
Benjamin Moore
Old Gold
167 · LRV 43
Farrow & Ball
Dix Blue
LRV 41

With LRVs of 43 and 41, the two reflect almost the same amount of light.

Calamine
Old Gold
Calamine
Benjamin Moore
Old Gold
167 · LRV 43
Farrow & Ball
Calamine
LRV 68

Calamine reflects far more light (LRV 68 vs 43), opening up a space where Old Gold encloses it.

Treron
Old Gold
Treron
Benjamin Moore
Old Gold
167 · LRV 43
Farrow & Ball
Treron
LRV 25

Old Gold reflects far more light (LRV 43 vs 25), opening up a space where Treron encloses it.

Vintage Vogue
Old Gold
Vintage Vogue
Benjamin Moore
Old Gold
167 · LRV 43

At LRV 43 vs 12, Old Gold is decisively the brighter choice.

Saybrook Sage
Old Gold
Saybrook Sage
Benjamin Moore
Old Gold
167 · LRV 43

Their light reflectance is nearly identical (LRV 45 vs 43), so neither reads brighter in a room.

Pale Green
Old Gold
Pale Green
Benjamin Moore
Old Gold
167 · LRV 43
RAL ClassicClassic
Pale Green
LRV 31

Old Gold reads slightly lighter (LRV 43 vs 31), a gap that shows most in low-lit rooms.

Pine Needle
Old Gold
Pine Needle
Benjamin Moore
Old Gold
167 · LRV 43

Old Gold reflects far more light (LRV 43 vs 7), opening up a space where Pine Needle encloses it.

Cement grey
Old Gold
Cement grey
Benjamin Moore
Old Gold
167 · LRV 43
RAL ClassicClassic
Cement grey
LRV 24

Old Gold reflects far more light (LRV 43 vs 24), opening up a space where Cement grey encloses it.

Guilford Green
Guilford Green
Old Gold
Benjamin Moore
Old Gold
167 · LRV 43

Guilford Green reflects far more light (LRV 57 vs 43), opening up a space where Old Gold encloses it.