Old Pickup Blue vs Spring Rain
Both from Benjamin Moore's palette. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. Old Pickup Blue (LRV 65) reflects noticeably more light than Spring Rain (LRV 60), a difference of 5 points that becomes especially apparent in rooms with limited natural light. Both lean blue, so they'll behave similarly in mixed or changing light conditions. The ΔE 3.7 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Old Pickup Blue vs Spring Rain Simulated Comparison
5 simulated room previews — drag the slider on each to see Old Pickup Blue on one side and Spring Rain on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Old Pickup Blue comparisons
See how Old Pickup Blue stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 65), opening up a space where Old Pickup Blue encloses it.
A 4-point LRV gap (69 vs 65) makes Ammonite the marginally brighter of the two.
Old Pickup Blue reflects far more light (LRV 65 vs 6), opening up a space where Iron Ore encloses it.
At LRV 65 vs 52, Old Pickup Blue is decisively the brighter choice.
At LRV 65 vs 30, Old Pickup Blue is decisively the brighter choice.
Old Pickup Blue reflects far more light (LRV 65 vs 52), opening up a space where Mizzle encloses it.
A 5-point LRV gap (65 vs 60) makes Old Pickup Blue the marginally brighter of the two.
Old Pickup Blue reads slightly lighter (LRV 65 vs 58), a gap that shows most in low-lit rooms.
Old Pickup Blue reflects far more light (LRV 65 vs 27), opening up a space where Denim Drift encloses it.
At LRV 65 vs 43, Old Pickup Blue is decisively the brighter choice.
At LRV 65 vs 4, Old Pickup Blue is decisively the brighter choice.
Old Pickup Blue reads slightly lighter (LRV 65 vs 55), a gap that shows most in low-lit rooms.
Old Pickup Blue reflects far more light (LRV 65 vs 13), opening up a space where Bancha encloses it.
Old Pickup Blue reflects far more light (LRV 65 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 65, Pure White is decisively the brighter choice.
At LRV 65 vs 21, Old Pickup Blue is decisively the brighter choice.
With LRVs of 66 and 65, the two reflect almost the same amount of light.
Shoji White reads slightly lighter (LRV 74 vs 65), a gap that shows most in low-lit rooms.
Snowbound reflects far more light (LRV 83 vs 65), opening up a space where Old Pickup Blue encloses it.
Old Pickup Blue reflects far more light (LRV 65 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 65), a gap that shows most in low-lit rooms.
At LRV 65 vs 41, Old Pickup Blue is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 65), so neither reads brighter in a room.
At LRV 65 vs 25, Old Pickup Blue is decisively the brighter choice.
Old Pickup Blue reflects far more light (LRV 65 vs 12), opening up a space where Vintage Vogue encloses it.
Old Pickup Blue reflects far more light (LRV 65 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 65 vs 31, Old Pickup Blue is decisively the brighter choice.
At LRV 65 vs 7, Old Pickup Blue is decisively the brighter choice.
At LRV 65 vs 24, Old Pickup Blue is decisively the brighter choice.
A 8-point LRV gap (65 vs 57) makes Old Pickup Blue the marginally brighter of the two.