Old Stone vs Rose Dust

Old StoneBenjamin MoorevsRose DustBenjamin MooreΔE 0.0Imperceptible difference

Both from Benjamin Moore's palette. These are both beige-greiges, so the question isn't which hue to choose — it's where within beige-greige to land. They have nearly identical light reflectance values (56 vs 56), so they'll read as similarly Medium in most lighting conditions. Old Stone runs warm while Rose Dust is decidedly red, which means they'll respond very differently to warm vs cool light sources. At ΔE 0.0, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Old Stone
Benjamin Moore · CC-424
Hex#D3C4BA
LRV55.8
BrandBenjamin Moore
NumberCC-424
Undertone
TemperatureWarm
BrightnessMedium
Rose Dust
Benjamin Moore · 1010
Hex#D3C4BA
LRV55.8
BrandBenjamin Moore
Number1010
UndertoneRed
TemperatureWarm
BrightnessMedium

Old Stone vs Rose Dust Simulated Comparison

5 simulated room previews — drag the slider on each to see Old Stone on one side and Rose Dust on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Old Stone comparisons

See how Old Stone stacks up against other well-photographed colors across different brands and tones.

White Dove
Old Stone
White Dove
Benjamin Moore
Old Stone
CC-424 · LRV 56

At LRV 83 vs 56, White Dove is decisively the brighter choice.

Ammonite
Old Stone
Ammonite
Benjamin Moore
Old Stone
CC-424 · LRV 56
Farrow & Ball
Ammonite
LRV 69

Ammonite reflects far more light (LRV 69 vs 56), opening up a space where Old Stone encloses it.

Iron Ore
Old Stone
Iron Ore
Benjamin Moore
Old Stone
CC-424 · LRV 56

At LRV 56 vs 6, Old Stone is decisively the brighter choice.

Purbeck Stone
Old Stone
Purbeck Stone
Benjamin Moore
Old Stone
CC-424 · LRV 56

Old Stone reads slightly lighter (LRV 56 vs 52), a gap that shows most in low-lit rooms.

Evergreen Fog
Old Stone
Evergreen Fog
Benjamin Moore
Old Stone
CC-424 · LRV 56

Old Stone reflects far more light (LRV 56 vs 30), opening up a space where Evergreen Fog encloses it.

Mizzle
Old Stone
Mizzle
Benjamin Moore
Old Stone
CC-424 · LRV 56
Farrow & Ball
Mizzle
LRV 52

A 4-point LRV gap (56 vs 52) makes Old Stone the marginally brighter of the two.

Agreeable Gray
Old Stone
Agreeable Gray
Benjamin Moore
Old Stone
CC-424 · LRV 56

Agreeable Gray reads slightly lighter (LRV 60 vs 56), a gap that shows most in low-lit rooms.

Accessible Beige
Old Stone
Accessible Beige
Benjamin Moore
Old Stone
CC-424 · LRV 56

Their light reflectance is nearly identical (LRV 58 vs 56), so neither reads brighter in a room.

Denim Drift
Old Stone
Denim Drift
Benjamin Moore
Old Stone
CC-424 · LRV 56

At LRV 56 vs 27, Old Stone is decisively the brighter choice.

French Gray
Old Stone
French Gray
Benjamin Moore
Old Stone
CC-424 · LRV 56

Old Stone reflects far more light (LRV 56 vs 43), opening up a space where French Gray encloses it.

Naval
Old Stone
Naval
Benjamin Moore
Old Stone
CC-424 · LRV 56
Sherwin-Williams
Naval
LRV 4

Old Stone reflects far more light (LRV 56 vs 4), opening up a space where Naval encloses it.

Tranquil Dawn
Old Stone
Tranquil Dawn
Benjamin Moore
Old Stone
CC-424 · LRV 56

Their light reflectance is nearly identical (LRV 56 vs 55), so neither reads brighter in a room.

Bancha
Old Stone
Bancha
Benjamin Moore
Old Stone
CC-424 · LRV 56
Farrow & Ball
Bancha
LRV 13

At LRV 56 vs 13, Old Stone is decisively the brighter choice.

Hardwick White
Old Stone
Hardwick White
Benjamin Moore
Old Stone
CC-424 · LRV 56

At LRV 56 vs 44, Old Stone is decisively the brighter choice.

Pure White
Old Stone
Pure White
Benjamin Moore
Old Stone
CC-424 · LRV 56

Pure White reflects far more light (LRV 84 vs 56), opening up a space where Old Stone encloses it.

Artichoke
Old Stone
Artichoke
Benjamin Moore
Old Stone
CC-424 · LRV 56
Sherwin-Williams
Artichoke
LRV 21

Old Stone reflects far more light (LRV 56 vs 21), opening up a space where Artichoke encloses it.

Balboa Mist
Balboa Mist
Old Stone
Benjamin Moore
Old Stone
CC-424 · LRV 56

A 10-point LRV gap (66 vs 56) makes Balboa Mist the marginally brighter of the two.

Shoji White
Old Stone
Shoji White
Benjamin Moore
Old Stone
CC-424 · LRV 56

At LRV 74 vs 56, Shoji White is decisively the brighter choice.

Snowbound
Old Stone
Snowbound
Benjamin Moore
Old Stone
CC-424 · LRV 56
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 56, Snowbound is decisively the brighter choice.

Pewter Green
Old Stone
Pewter Green
Benjamin Moore
Old Stone
CC-424 · LRV 56

At LRV 56 vs 12, Old Stone is decisively the brighter choice.

Skimming Stone
Old Stone
Skimming Stone
Benjamin Moore
Old Stone
CC-424 · LRV 56

At LRV 68 vs 56, Skimming Stone is decisively the brighter choice.

Dix Blue
Old Stone
Dix Blue
Benjamin Moore
Old Stone
CC-424 · LRV 56
Farrow & Ball
Dix Blue
LRV 41

Old Stone reflects far more light (LRV 56 vs 41), opening up a space where Dix Blue encloses it.

Calamine
Old Stone
Calamine
Benjamin Moore
Old Stone
CC-424 · LRV 56
Farrow & Ball
Calamine
LRV 68

Calamine reads slightly lighter (LRV 68 vs 56), a gap that shows most in low-lit rooms.

Treron
Old Stone
Treron
Benjamin Moore
Old Stone
CC-424 · LRV 56
Farrow & Ball
Treron
LRV 25

Old Stone reflects far more light (LRV 56 vs 25), opening up a space where Treron encloses it.

Vintage Vogue
Old Stone
Vintage Vogue
Benjamin Moore
Old Stone
CC-424 · LRV 56

At LRV 56 vs 12, Old Stone is decisively the brighter choice.

Saybrook Sage
Old Stone
Saybrook Sage
Benjamin Moore
Old Stone
CC-424 · LRV 56

A 10-point LRV gap (56 vs 45) makes Old Stone the marginally brighter of the two.

Pale Green
Old Stone
Pale Green
Benjamin Moore
Old Stone
CC-424 · LRV 56
RAL ClassicClassic
Pale Green
LRV 31

Old Stone reflects far more light (LRV 56 vs 31), opening up a space where Pale Green encloses it.

Pine Needle
Old Stone
Pine Needle
Benjamin Moore
Old Stone
CC-424 · LRV 56

Old Stone reflects far more light (LRV 56 vs 7), opening up a space where Pine Needle encloses it.

Cement grey
Old Stone
Cement grey
Benjamin Moore
Old Stone
CC-424 · LRV 56
RAL ClassicClassic
Cement grey
LRV 24

Old Stone reflects far more light (LRV 56 vs 24), opening up a space where Cement grey encloses it.

Guilford Green
Guilford Green
Old Stone
Benjamin Moore
Old Stone
CC-424 · LRV 56

With LRVs of 57 and 56, the two reflect almost the same amount of light.