Overcoat vs Purbeck Stone

OvercoatBenjamin MoorevsPurbeck StoneFarrow & BallΔE 33.5Very different colors

Overcoat (Benjamin Moore) and Purbeck Stone (Farrow & Ball) come from different manufacturers. Hue-wise, Overcoat belongs to the grey family and Purbeck Stone to the greige-grey family. The 37-point LRV gap — 52 for Purbeck Stone vs 15 for Overcoat — means Purbeck Stone will open up a space more effectively. Where Overcoat leans red, Purbeck Stone reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 33.5 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Overcoat
Benjamin Moore · CC-544
LRV15.2
BrandBenjamin Moore
NumberCC-544
UndertoneRed
TemperatureNeutral
BrightnessDark
Purbeck Stone
Farrow & Ball · 275
LRV51.9
BrandFarrow & Ball
Number275
Undertone
TemperatureWarm
BrightnessMedium

Overcoat vs Purbeck Stone Simulated Comparison

5 simulated room previews — drag the slider on each to see Overcoat on one side and Purbeck Stone on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Overcoat comparisons

See how Overcoat stacks up against other well-photographed colors across different brands and tones.

Ammonite
Overcoat
Ammonite
Benjamin Moore
Overcoat
CC-544 · LRV 15
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 15, Ammonite is decisively the brighter choice.

White Dove
Overcoat
White Dove
Benjamin Moore
Overcoat
CC-544 · LRV 15

White Dove reflects far more light (LRV 83 vs 15), opening up a space where Overcoat encloses it.

Iron Ore
Overcoat
Iron Ore
Benjamin Moore
Overcoat
CC-544 · LRV 15

Overcoat reads slightly lighter (LRV 15 vs 6), a gap that shows most in low-lit rooms.

Evergreen Fog
Overcoat
Evergreen Fog
Benjamin Moore
Overcoat
CC-544 · LRV 15

At LRV 30 vs 15, Evergreen Fog is decisively the brighter choice.

Mizzle
Overcoat
Mizzle
Benjamin Moore
Overcoat
CC-544 · LRV 15
Farrow & Ball
Mizzle
LRV 52

Mizzle reflects far more light (LRV 52 vs 15), opening up a space where Overcoat encloses it.

Agreeable Gray
Overcoat
Agreeable Gray
Benjamin Moore
Overcoat
CC-544 · LRV 15

At LRV 60 vs 15, Agreeable Gray is decisively the brighter choice.

Accessible Beige
Overcoat
Accessible Beige
Benjamin Moore
Overcoat
CC-544 · LRV 15

Accessible Beige reflects far more light (LRV 58 vs 15), opening up a space where Overcoat encloses it.

Denim Drift
Overcoat
Denim Drift
Benjamin Moore
Overcoat
CC-544 · LRV 15

Denim Drift reads slightly lighter (LRV 27 vs 15), a gap that shows most in low-lit rooms.

French Gray
Overcoat
French Gray
Benjamin Moore
Overcoat
CC-544 · LRV 15

At LRV 43 vs 15, French Gray is decisively the brighter choice.

Naval
Overcoat
Naval
Benjamin Moore
Overcoat
CC-544 · LRV 15
Sherwin-Williams
Naval
LRV 4

A 11-point LRV gap (15 vs 4) makes Overcoat the marginally brighter of the two.

Tranquil Dawn
Overcoat
Tranquil Dawn
Benjamin Moore
Overcoat
CC-544 · LRV 15

Tranquil Dawn reflects far more light (LRV 55 vs 15), opening up a space where Overcoat encloses it.

Bancha
Overcoat
Bancha
Benjamin Moore
Overcoat
CC-544 · LRV 15
Farrow & Ball
Bancha
LRV 13

With LRVs of 15 and 13, the two reflect almost the same amount of light.

Hardwick White
Overcoat
Hardwick White
Benjamin Moore
Overcoat
CC-544 · LRV 15

Hardwick White reflects far more light (LRV 44 vs 15), opening up a space where Overcoat encloses it.

Pure White
Overcoat
Pure White
Benjamin Moore
Overcoat
CC-544 · LRV 15

At LRV 84 vs 15, Pure White is decisively the brighter choice.

Artichoke
Overcoat
Artichoke
Benjamin Moore
Overcoat
CC-544 · LRV 15
Sherwin-Williams
Artichoke
LRV 21

A 6-point LRV gap (21 vs 15) makes Artichoke the marginally brighter of the two.

Balboa Mist
Balboa Mist
Overcoat
Benjamin Moore
Overcoat
CC-544 · LRV 15

Balboa Mist reflects far more light (LRV 66 vs 15), opening up a space where Overcoat encloses it.

Shoji White
Overcoat
Shoji White
Benjamin Moore
Overcoat
CC-544 · LRV 15

Shoji White reflects far more light (LRV 74 vs 15), opening up a space where Overcoat encloses it.

Snowbound
Overcoat
Snowbound
Benjamin Moore
Overcoat
CC-544 · LRV 15
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 15), opening up a space where Overcoat encloses it.

Pigeon
Overcoat
Pigeon
Benjamin Moore
Overcoat
CC-544 · LRV 15
Farrow & Ball
Pigeon
LRV 51

At LRV 51 vs 15, Pigeon is decisively the brighter choice.

Pewter Green
Overcoat
Pewter Green
Benjamin Moore
Overcoat
CC-544 · LRV 15

Overcoat reads slightly lighter (LRV 15 vs 12), a gap that shows most in low-lit rooms.

Duck Green
Overcoat
Duck Green
Benjamin Moore
Overcoat
CC-544 · LRV 15

Overcoat reads slightly lighter (LRV 15 vs 8), a gap that shows most in low-lit rooms.

Skimming Stone
Overcoat
Skimming Stone
Benjamin Moore
Overcoat
CC-544 · LRV 15

Skimming Stone reflects far more light (LRV 68 vs 15), opening up a space where Overcoat encloses it.

Dix Blue
Overcoat
Dix Blue
Benjamin Moore
Overcoat
CC-544 · LRV 15
Farrow & Ball
Dix Blue
LRV 41

At LRV 41 vs 15, Dix Blue is decisively the brighter choice.

Hicks' Blue
Overcoat
Hicks' Blue
Benjamin Moore
Overcoat
CC-544 · LRV 15

Overcoat vs Hicks' Blue

Slaked Lime Deep
Overcoat
Slaked Lime Deep
Benjamin Moore
Overcoat
CC-544 · LRV 15

Overcoat vs Slaked Lime Deep

Vintage Vogue
Overcoat
Vintage Vogue
Benjamin Moore
Overcoat
CC-544 · LRV 15

Overcoat reads slightly lighter (LRV 15 vs 12), a gap that shows most in low-lit rooms.

Livid
Overcoat
Livid
Benjamin Moore
Overcoat
CC-544 · LRV 15

Overcoat vs Livid

Saybrook Sage
Overcoat
Saybrook Sage
Benjamin Moore
Overcoat
CC-544 · LRV 15

Saybrook Sage reflects far more light (LRV 45 vs 15), opening up a space where Overcoat encloses it.

Pale Green
Overcoat
Pale Green
Benjamin Moore
Overcoat
CC-544 · LRV 15
RAL ClassicClassic
Pale Green
LRV 31

At LRV 31 vs 15, Pale Green is decisively the brighter choice.

Pine Needle
Overcoat
Pine Needle
Benjamin Moore
Overcoat
CC-544 · LRV 15

A 8-point LRV gap (15 vs 7) makes Overcoat the marginally brighter of the two.