Pale Smoke vs Winter Chill
Pale Smoke is a Benjamin Moore color while Winter Chill comes from PPG. Pale Smoke reads as blue-green, while Winter Chill reads as blue-grey — two distinct hue families, not close cousins. With LRVs of 64 and 64, they'll behave almost identically in terms of how much light they reflect back into a room. With a ΔE of 1.1, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Pale Smoke vs Winter Chill in Real Spaces
3 real rooms side by side. Pale Smoke and Winter Chill are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Color Details
Pale Smoke vs Winter Chill Simulated Comparison
5 simulated room previews — drag the slider on each to see Pale Smoke on one side and Winter Chill on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Pale Smoke comparisons
See how Pale Smoke stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 64, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 64), a gap that shows most in low-lit rooms.
At LRV 64 vs 6, Pale Smoke is decisively the brighter choice.
Pale Smoke reads slightly lighter (LRV 64 vs 52), a gap that shows most in low-lit rooms.
Pale Smoke reflects far more light (LRV 64 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 64 vs 52, Pale Smoke is decisively the brighter choice.
Pale Smoke reads slightly lighter (LRV 64 vs 60), a gap that shows most in low-lit rooms.
A 6-point LRV gap (64 vs 58) makes Pale Smoke the marginally brighter of the two.
At LRV 64 vs 27, Pale Smoke is decisively the brighter choice.
Pale Smoke reflects far more light (LRV 64 vs 43), opening up a space where French Gray encloses it.
Pale Smoke reflects far more light (LRV 64 vs 4), opening up a space where Naval encloses it.
A 9-point LRV gap (64 vs 55) makes Pale Smoke the marginally brighter of the two.
At LRV 64 vs 13, Pale Smoke is decisively the brighter choice.
At LRV 64 vs 44, Pale Smoke is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 64), opening up a space where Pale Smoke encloses it.
Pale Smoke reflects far more light (LRV 64 vs 21), opening up a space where Artichoke encloses it.
Their light reflectance is nearly identical (LRV 66 vs 64), so neither reads brighter in a room.
A 11-point LRV gap (74 vs 64) makes Shoji White the marginally brighter of the two.
At LRV 83 vs 64, Snowbound is decisively the brighter choice.
At LRV 64 vs 12, Pale Smoke is decisively the brighter choice.
A 5-point LRV gap (68 vs 64) makes Skimming Stone the marginally brighter of the two.
Pale Smoke reflects far more light (LRV 64 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 64), a gap that shows most in low-lit rooms.
Pale Smoke reflects far more light (LRV 64 vs 25), opening up a space where Treron encloses it.
At LRV 64 vs 12, Pale Smoke is decisively the brighter choice.
At LRV 64 vs 45, Pale Smoke is decisively the brighter choice.
Pale Smoke reflects far more light (LRV 64 vs 31), opening up a space where Pale Green encloses it.
Pale Smoke reflects far more light (LRV 64 vs 7), opening up a space where Pine Needle encloses it.
Pale Smoke reflects far more light (LRV 64 vs 24), opening up a space where Cement grey encloses it.
Pale Smoke reads slightly lighter (LRV 64 vs 57), a gap that shows most in low-lit rooms.