Pink Bliss vs Storm Cloud Gray
Both from Benjamin Moore's palette. Hue-wise, Pink Bliss belongs to the pink-red family and Storm Cloud Gray to the grey family. Pink Bliss (LRV 82) reflects noticeably more light than Storm Cloud Gray (LRV 29), a difference of 53 points that becomes especially apparent in rooms with limited natural light. Pink Bliss runs red while Storm Cloud Gray is decidedly yellow, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 34.2, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Pink Bliss vs Storm Cloud Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Pink Bliss on one side and Storm Cloud Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Pink Bliss comparisons
See how Pink Bliss stacks up against other well-photographed colors across different brands and tones.
Their light reflectance is nearly identical (LRV 83 vs 82), so neither reads brighter in a room.
Pink Bliss reflects far more light (LRV 82 vs 69), opening up a space where Ammonite encloses it.
At LRV 82 vs 6, Pink Bliss is decisively the brighter choice.
Pink Bliss reflects far more light (LRV 82 vs 52), opening up a space where Purbeck Stone encloses it.
Pink Bliss reflects far more light (LRV 82 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 82 vs 52, Pink Bliss is decisively the brighter choice.
Pink Bliss reflects far more light (LRV 82 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 82 vs 58, Pink Bliss is decisively the brighter choice.
At LRV 82 vs 27, Pink Bliss is decisively the brighter choice.
Pink Bliss reflects far more light (LRV 82 vs 43), opening up a space where French Gray encloses it.
Pink Bliss reflects far more light (LRV 82 vs 4), opening up a space where Naval encloses it.
At LRV 82 vs 55, Pink Bliss is decisively the brighter choice.
At LRV 82 vs 13, Pink Bliss is decisively the brighter choice.
At LRV 82 vs 44, Pink Bliss is decisively the brighter choice.
With LRVs of 84 and 82, the two reflect almost the same amount of light.
Pink Bliss reflects far more light (LRV 82 vs 21), opening up a space where Artichoke encloses it.
At LRV 82 vs 66, Pink Bliss is decisively the brighter choice.
A 7-point LRV gap (82 vs 74) makes Pink Bliss the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 83 vs 82), so neither reads brighter in a room.
At LRV 82 vs 12, Pink Bliss is decisively the brighter choice.
At LRV 82 vs 68, Pink Bliss is decisively the brighter choice.
Pink Bliss reflects far more light (LRV 82 vs 41), opening up a space where Dix Blue encloses it.
Pink Bliss reflects far more light (LRV 82 vs 68), opening up a space where Calamine encloses it.
Pink Bliss reflects far more light (LRV 82 vs 25), opening up a space where Treron encloses it.
At LRV 82 vs 12, Pink Bliss is decisively the brighter choice.
At LRV 82 vs 45, Pink Bliss is decisively the brighter choice.
Pink Bliss reflects far more light (LRV 82 vs 31), opening up a space where Pale Green encloses it.
Pink Bliss reflects far more light (LRV 82 vs 7), opening up a space where Pine Needle encloses it.
Pink Bliss reflects far more light (LRV 82 vs 24), opening up a space where Cement grey encloses it.
Pink Bliss reflects far more light (LRV 82 vs 57), opening up a space where Guilford Green encloses it.