Pleasant Valley vs Ammonite

Pleasant ValleyBenjamin MoorevsAmmoniteFarrow & BallΔE 12.7Distinct difference

Pleasant Valley (Benjamin Moore) and Ammonite (Farrow & Ball) come from different manufacturers. Hue-wise, Pleasant Valley belongs to the green-grey family and Ammonite to the beige-greige family. The 18-point LRV gap — 69 for Ammonite vs 50 for Pleasant Valley — means Ammonite will open up a space more effectively. Where Pleasant Valley leans green, Ammonite reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 12.7 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Pleasant Valley
Benjamin Moore · 696
LRV50.5
BrandBenjamin Moore
Number696
UndertoneGreen
TemperatureCool
BrightnessMedium
Ammonite
Farrow & Ball · 274
LRV68.9
BrandFarrow & Ball
Number274
Undertone
TemperatureWarm
BrightnessLight

Pleasant Valley vs Ammonite Simulated Comparison

5 simulated room previews — drag the slider on each to see Pleasant Valley on one side and Ammonite on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Pleasant Valley comparisons

See how Pleasant Valley stacks up against other well-photographed colors across different brands and tones.

White Dove
Pleasant Valley
White Dove
Benjamin Moore
Pleasant Valley
696 · LRV 50

White Dove reflects far more light (LRV 83 vs 50), opening up a space where Pleasant Valley encloses it.

Iron Ore
Pleasant Valley
Iron Ore
Benjamin Moore
Pleasant Valley
696 · LRV 50

Pleasant Valley reflects far more light (LRV 50 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
Pleasant Valley
Purbeck Stone
Benjamin Moore
Pleasant Valley
696 · LRV 50

Their light reflectance is nearly identical (LRV 52 vs 50), so neither reads brighter in a room.

Evergreen Fog
Pleasant Valley
Evergreen Fog
Benjamin Moore
Pleasant Valley
696 · LRV 50

At LRV 50 vs 30, Pleasant Valley is decisively the brighter choice.

Mizzle
Pleasant Valley
Mizzle
Benjamin Moore
Pleasant Valley
696 · LRV 50
Farrow & Ball
Mizzle
LRV 52

With LRVs of 52 and 50, the two reflect almost the same amount of light.

Agreeable Gray
Pleasant Valley
Agreeable Gray
Benjamin Moore
Pleasant Valley
696 · LRV 50

A 10-point LRV gap (60 vs 50) makes Agreeable Gray the marginally brighter of the two.

Accessible Beige
Pleasant Valley
Accessible Beige
Benjamin Moore
Pleasant Valley
696 · LRV 50

Accessible Beige reads slightly lighter (LRV 58 vs 50), a gap that shows most in low-lit rooms.

Denim Drift
Pleasant Valley
Denim Drift
Benjamin Moore
Pleasant Valley
696 · LRV 50

Pleasant Valley reflects far more light (LRV 50 vs 27), opening up a space where Denim Drift encloses it.

French Gray
Pleasant Valley
French Gray
Benjamin Moore
Pleasant Valley
696 · LRV 50

A 7-point LRV gap (50 vs 43) makes Pleasant Valley the marginally brighter of the two.

Naval
Pleasant Valley
Naval
Benjamin Moore
Pleasant Valley
696 · LRV 50
Sherwin-Williams
Naval
LRV 4

At LRV 50 vs 4, Pleasant Valley is decisively the brighter choice.

Pleasant Valley
Tranquil Dawn
Tranquil Dawn
Pleasant Valley vs Tranquil Dawn
Benjamin Moore
Pleasant Valley
696 · LRV 50

Tranquil Dawn reads slightly lighter (LRV 55 vs 50), a gap that shows most in low-lit rooms.

Bancha
Pleasant Valley
Bancha
Benjamin Moore
Pleasant Valley
696 · LRV 50
Farrow & Ball
Bancha
LRV 13

Pleasant Valley reflects far more light (LRV 50 vs 13), opening up a space where Bancha encloses it.

Hardwick White
Pleasant Valley
Hardwick White
Benjamin Moore
Pleasant Valley
696 · LRV 50

Pleasant Valley reads slightly lighter (LRV 50 vs 44), a gap that shows most in low-lit rooms.

Pure White
Pleasant Valley
Pure White
Benjamin Moore
Pleasant Valley
696 · LRV 50

At LRV 84 vs 50, Pure White is decisively the brighter choice.

Artichoke
Pleasant Valley
Artichoke
Benjamin Moore
Pleasant Valley
696 · LRV 50
Sherwin-Williams
Artichoke
LRV 21

At LRV 50 vs 21, Pleasant Valley is decisively the brighter choice.

Balboa Mist
Balboa Mist
Pleasant Valley
Benjamin Moore
Pleasant Valley
696 · LRV 50

Balboa Mist reflects far more light (LRV 66 vs 50), opening up a space where Pleasant Valley encloses it.

Shoji White
Pleasant Valley
Shoji White
Benjamin Moore
Pleasant Valley
696 · LRV 50

Shoji White reflects far more light (LRV 74 vs 50), opening up a space where Pleasant Valley encloses it.

Snowbound
Pleasant Valley
Snowbound
Benjamin Moore
Pleasant Valley
696 · LRV 50
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 50), opening up a space where Pleasant Valley encloses it.

Pigeon
Pleasant Valley
Pigeon
Benjamin Moore
Pleasant Valley
696 · LRV 50
Farrow & Ball
Pigeon
LRV 51

Their light reflectance is nearly identical (LRV 51 vs 50), so neither reads brighter in a room.

Pewter Green
Pleasant Valley
Pewter Green
Benjamin Moore
Pleasant Valley
696 · LRV 50

Pleasant Valley reflects far more light (LRV 50 vs 12), opening up a space where Pewter Green encloses it.

Duck Green
Pleasant Valley
Duck Green
Benjamin Moore
Pleasant Valley
696 · LRV 50

Pleasant Valley reflects far more light (LRV 50 vs 8), opening up a space where Duck Green encloses it.

Skimming Stone
Pleasant Valley
Skimming Stone
Benjamin Moore
Pleasant Valley
696 · LRV 50

Skimming Stone reflects far more light (LRV 68 vs 50), opening up a space where Pleasant Valley encloses it.

Dix Blue
Pleasant Valley
Dix Blue
Benjamin Moore
Pleasant Valley
696 · LRV 50
Farrow & Ball
Dix Blue
LRV 41

A 9-point LRV gap (50 vs 41) makes Pleasant Valley the marginally brighter of the two.

Hicks' Blue
Pleasant Valley
Hicks' Blue

Pleasant Valley vs Hicks' Blue

Slaked Lime Deep
Pleasant Valley
Slaked Lime Deep

Pleasant Valley vs Slaked Lime Deep

Vintage Vogue
Pleasant Valley
Vintage Vogue
Benjamin Moore
Pleasant Valley
696 · LRV 50

Pleasant Valley reflects far more light (LRV 50 vs 12), opening up a space where Vintage Vogue encloses it.

Livid
Pleasant Valley
Livid
Benjamin Moore
Pleasant Valley
696 · LRV 50

Pleasant Valley vs Livid

Saybrook Sage
Pleasant Valley
Saybrook Sage
Benjamin Moore
Pleasant Valley
696 · LRV 50

Pleasant Valley reads slightly lighter (LRV 50 vs 45), a gap that shows most in low-lit rooms.

Pale Green
Pleasant Valley
Pale Green
Benjamin Moore
Pleasant Valley
696 · LRV 50
RAL ClassicClassic
Pale Green
LRV 31

At LRV 50 vs 31, Pleasant Valley is decisively the brighter choice.

Pine Needle
Pleasant Valley
Pine Needle
Benjamin Moore
Pleasant Valley
696 · LRV 50

At LRV 50 vs 7, Pleasant Valley is decisively the brighter choice.