Red Rock vs Terra Cotta Tile paint color comparison

Red Rock vs Terra Cotta Tile

Both are Benjamin Moore colors. Both sit in the pink-red family, which is useful context if you're narrowing within a single hue direction. At LRV 14 vs 8, Terra Cotta Tile will read as the brighter of the two — a 6-point gap that matters most in north-facing or low-light rooms. They share a red quality — useful to know if you're layering them in the same space. At ΔE 13.4, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Red Rock
Benjamin Moore · 2005-10
Hex#7C3E32
LRV8.3
BrandBenjamin Moore
Number2005-10
UndertoneRed
TemperatureWarm
BrightnessDark
Terra Cotta Tile
Benjamin Moore · 2090-30
Hex#A14C3E
LRV14.1
BrandBenjamin Moore
Number2090-30
UndertoneRed
TemperatureWarm
BrightnessDark

Red Rock vs Terra Cotta Tile Simulated Comparison

5 simulated room previews — drag the slider on each to see Red Rock on one side and Terra Cotta Tile on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Red Rock comparisons

See how Red Rock stacks up against other well-photographed colors across different brands and tones.

White Dove
Red Rock
White Dove
Benjamin Moore
Red Rock
2005-10 · LRV 8

At LRV 83 vs 8, White Dove is decisively the brighter choice.

Ammonite
Red Rock
Ammonite
Benjamin Moore
Red Rock
2005-10 · LRV 8
Farrow & Ball
Ammonite
LRV 69

Ammonite reflects far more light (LRV 69 vs 8), opening up a space where Red Rock encloses it.

Iron Ore
Red Rock
Iron Ore
Benjamin Moore
Red Rock
2005-10 · LRV 8

Their light reflectance is nearly identical (LRV 8 vs 6), so neither reads brighter in a room.

Purbeck Stone
Red Rock
Purbeck Stone
Benjamin Moore
Red Rock
2005-10 · LRV 8

Purbeck Stone reflects far more light (LRV 52 vs 8), opening up a space where Red Rock encloses it.

Evergreen Fog
Red Rock
Evergreen Fog
Benjamin Moore
Red Rock
2005-10 · LRV 8

Evergreen Fog reflects far more light (LRV 30 vs 8), opening up a space where Red Rock encloses it.

Mizzle
Red Rock
Mizzle
Benjamin Moore
Red Rock
2005-10 · LRV 8
Farrow & Ball
Mizzle
LRV 52

At LRV 52 vs 8, Mizzle is decisively the brighter choice.

Agreeable Gray
Red Rock
Agreeable Gray
Benjamin Moore
Red Rock
2005-10 · LRV 8

Agreeable Gray reflects far more light (LRV 60 vs 8), opening up a space where Red Rock encloses it.

Accessible Beige
Red Rock
Accessible Beige
Benjamin Moore
Red Rock
2005-10 · LRV 8

At LRV 58 vs 8, Accessible Beige is decisively the brighter choice.

Denim Drift
Red Rock
Denim Drift
Benjamin Moore
Red Rock
2005-10 · LRV 8

At LRV 27 vs 8, Denim Drift is decisively the brighter choice.

French Gray
Red Rock
French Gray
Benjamin Moore
Red Rock
2005-10 · LRV 8

French Gray reflects far more light (LRV 43 vs 8), opening up a space where Red Rock encloses it.

Naval
Red Rock
Naval
Benjamin Moore
Red Rock
2005-10 · LRV 8
Sherwin-Williams
Naval
LRV 4

Red Rock reads slightly lighter (LRV 8 vs 4), a gap that shows most in low-lit rooms.

Tranquil Dawn
Red Rock
Tranquil Dawn
Benjamin Moore
Red Rock
2005-10 · LRV 8

At LRV 55 vs 8, Tranquil Dawn is decisively the brighter choice.

Bancha
Red Rock
Bancha
Benjamin Moore
Red Rock
2005-10 · LRV 8
Farrow & Ball
Bancha
LRV 13

A 5-point LRV gap (13 vs 8) makes Bancha the marginally brighter of the two.

Hardwick White
Red Rock
Hardwick White
Benjamin Moore
Red Rock
2005-10 · LRV 8

At LRV 44 vs 8, Hardwick White is decisively the brighter choice.

Pure White
Red Rock
Pure White
Benjamin Moore
Red Rock
2005-10 · LRV 8

Pure White reflects far more light (LRV 84 vs 8), opening up a space where Red Rock encloses it.

Artichoke
Red Rock
Artichoke
Benjamin Moore
Red Rock
2005-10 · LRV 8
Sherwin-Williams
Artichoke
LRV 21

Artichoke reflects far more light (LRV 21 vs 8), opening up a space where Red Rock encloses it.

Balboa Mist
Balboa Mist
Red Rock
Benjamin Moore
Red Rock
2005-10 · LRV 8

At LRV 66 vs 8, Balboa Mist is decisively the brighter choice.

Shoji White
Red Rock
Shoji White
Benjamin Moore
Red Rock
2005-10 · LRV 8

At LRV 74 vs 8, Shoji White is decisively the brighter choice.

Snowbound
Red Rock
Snowbound
Benjamin Moore
Red Rock
2005-10 · LRV 8
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 8, Snowbound is decisively the brighter choice.

Pewter Green
Red Rock
Pewter Green
Benjamin Moore
Red Rock
2005-10 · LRV 8

A 4-point LRV gap (12 vs 8) makes Pewter Green the marginally brighter of the two.

Skimming Stone
Red Rock
Skimming Stone
Benjamin Moore
Red Rock
2005-10 · LRV 8

At LRV 68 vs 8, Skimming Stone is decisively the brighter choice.

Dix Blue
Red Rock
Dix Blue
Benjamin Moore
Red Rock
2005-10 · LRV 8
Farrow & Ball
Dix Blue
LRV 41

Dix Blue reflects far more light (LRV 41 vs 8), opening up a space where Red Rock encloses it.

Calamine
Red Rock
Calamine
Benjamin Moore
Red Rock
2005-10 · LRV 8
Farrow & Ball
Calamine
LRV 68

Calamine reflects far more light (LRV 68 vs 8), opening up a space where Red Rock encloses it.

Treron
Red Rock
Treron
Benjamin Moore
Red Rock
2005-10 · LRV 8
Farrow & Ball
Treron
LRV 25

Treron reflects far more light (LRV 25 vs 8), opening up a space where Red Rock encloses it.

Vintage Vogue
Red Rock
Vintage Vogue
Benjamin Moore
Red Rock
2005-10 · LRV 8

A 4-point LRV gap (12 vs 8) makes Vintage Vogue the marginally brighter of the two.

Saybrook Sage
Red Rock
Saybrook Sage
Benjamin Moore
Red Rock
2005-10 · LRV 8

At LRV 45 vs 8, Saybrook Sage is decisively the brighter choice.

Pale Green
Red Rock
Pale Green
Benjamin Moore
Red Rock
2005-10 · LRV 8
RAL ClassicClassic
Pale Green
LRV 31

Pale Green reflects far more light (LRV 31 vs 8), opening up a space where Red Rock encloses it.

Pine Needle
Red Rock
Pine Needle
Benjamin Moore
Red Rock
2005-10 · LRV 8

With LRVs of 8 and 7, the two reflect almost the same amount of light.

Cement grey
Red Rock
Cement grey
Benjamin Moore
Red Rock
2005-10 · LRV 8
RAL ClassicClassic
Cement grey
LRV 24

Cement grey reflects far more light (LRV 24 vs 8), opening up a space where Red Rock encloses it.

Guilford Green
Guilford Green
Red Rock
Benjamin Moore
Red Rock
2005-10 · LRV 8

Guilford Green reflects far more light (LRV 57 vs 8), opening up a space where Red Rock encloses it.