Rolling Hills vs Ammonite
Rolling Hills (Benjamin Moore) and Ammonite (Farrow & Ball) come from different manufacturers. Hue-wise, Rolling Hills belongs to the greige-grey family and Ammonite to the beige-greige family. The 44-point LRV gap — 69 for Ammonite vs 25 for Rolling Hills — means Ammonite will open up a space more effectively. Where Rolling Hills leans yellow, Ammonite reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 31.5 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Rolling Hills vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Rolling Hills on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Rolling Hills comparisons
See how Rolling Hills stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 25), opening up a space where Rolling Hills encloses it.
Rolling Hills reflects far more light (LRV 25 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 25, Purbeck Stone is decisively the brighter choice.
A 6-point LRV gap (30 vs 25) makes Evergreen Fog the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 25), opening up a space where Rolling Hills encloses it.
At LRV 60 vs 25, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 25), opening up a space where Rolling Hills encloses it.
With LRVs of 27 and 25, the two reflect almost the same amount of light.
At LRV 43 vs 25, French Gray is decisively the brighter choice.
At LRV 25 vs 4, Rolling Hills is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 25), opening up a space where Rolling Hills encloses it.
Rolling Hills reads slightly lighter (LRV 25 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 25), opening up a space where Rolling Hills encloses it.
At LRV 84 vs 25, Pure White is decisively the brighter choice.
A 3-point LRV gap (25 vs 21) makes Rolling Hills the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 25), opening up a space where Rolling Hills encloses it.
Shoji White reflects far more light (LRV 74 vs 25), opening up a space where Rolling Hills encloses it.
Snowbound reflects far more light (LRV 83 vs 25), opening up a space where Rolling Hills encloses it.
At LRV 51 vs 25, Pigeon is decisively the brighter choice.
Rolling Hills reflects far more light (LRV 25 vs 12), opening up a space where Pewter Green encloses it.
Rolling Hills reflects far more light (LRV 25 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 25), opening up a space where Rolling Hills encloses it.
At LRV 41 vs 25, Dix Blue is decisively the brighter choice.
Rolling Hills reflects far more light (LRV 25 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 25), opening up a space where Rolling Hills encloses it.
A 7-point LRV gap (31 vs 25) makes Pale Green the marginally brighter of the two.
At LRV 25 vs 7, Rolling Hills is decisively the brighter choice.