Sage Tint vs Pewter Green
Sage Tint (Benjamin Moore) and Pewter Green (Sherwin-Williams) come from different manufacturers. These are both green-greys, so the question isn't which hue to choose — it's where within green-grey to land. The 46-point LRV gap — 58 for Sage Tint vs 12 for Pewter Green — means Sage Tint will open up a space more effectively. Where Sage Tint leans green, Pewter Green reads neutral — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 40.3 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Sage Tint vs Pewter Green in Real Spaces
3 real rooms side by side. Seeing Sage Tint and Pewter Green in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Sage Tint reflects noticeably more light off the walls, making the space read more open than Pewter Green.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Sage Tint returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that Sage Tint will make the room feel meaningfully brighter than Pewter Green would.
Color Details
Sage Tint vs Pewter Green Simulated Comparison
5 simulated room previews — drag the slider on each to see Sage Tint on one side and Pewter Green on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sage Tint comparisons
See how Sage Tint stacks up against other well-photographed colors across different brands and tones.


White Dove reflects far more light (LRV 83 vs 58), opening up a space where Sage Tint encloses it.


A 6-point LRV gap (58 vs 52) makes Sage Tint the marginally brighter of the two.


At LRV 58 vs 30, Sage Tint is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.


With LRVs of 58 and 58, the two reflect almost the same amount of light.


Sage Tint reflects far more light (LRV 58 vs 27), opening up a space where Denim Drift encloses it.


At LRV 58 vs 43, Sage Tint is decisively the brighter choice.


With LRVs of 58 and 55, the two reflect almost the same amount of light.


Sage Tint reflects far more light (LRV 58 vs 44), opening up a space where Hardwick White encloses it.


At LRV 84 vs 58, Pure White is decisively the brighter choice.


Balboa Mist reads slightly lighter (LRV 66 vs 58), a gap that shows most in low-lit rooms.


Shoji White reflects far more light (LRV 74 vs 58), opening up a space where Sage Tint encloses it.


Skimming Stone reads slightly lighter (LRV 68 vs 58), a gap that shows most in low-lit rooms.


Sage Tint reflects far more light (LRV 58 vs 12), opening up a space where Vintage Vogue encloses it.


Sage Tint reflects far more light (LRV 58 vs 45), opening up a space where Saybrook Sage encloses it.


At LRV 58 vs 31, Sage Tint is decisively the brighter choice.


At LRV 58 vs 7, Sage Tint is decisively the brighter choice.


At LRV 58 vs 24, Sage Tint is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 58 vs 57), so neither reads brighter in a room.


At LRV 72 vs 58, Just Walnut is decisively the brighter choice.
























