Sandlot Gray vs Studio Clay
Both are Benjamin Moore colors. Sandlot Gray reads as beige-greige, while Studio Clay reads as greige-grey — two distinct hue families, not close cousins. At LRV 44 vs 29, Sandlot Gray will read as the brighter of the two — a 15-point gap that matters most in north-facing or low-light rooms. They share a red quality — useful to know if you're layering them in the same space. At ΔE 12.3, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Sandlot Gray vs Studio Clay Simulated Comparison
5 simulated room previews — drag the slider on each to see Sandlot Gray on one side and Studio Clay on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sandlot Gray comparisons
See how Sandlot Gray stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 44), opening up a space where Sandlot Gray encloses it.
At LRV 69 vs 44, Ammonite is decisively the brighter choice.
Sandlot Gray reflects far more light (LRV 44 vs 6), opening up a space where Iron Ore encloses it.
A 8-point LRV gap (52 vs 44) makes Purbeck Stone the marginally brighter of the two.
At LRV 44 vs 30, Sandlot Gray is decisively the brighter choice.
Mizzle reads slightly lighter (LRV 52 vs 44), a gap that shows most in low-lit rooms.
At LRV 60 vs 44, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 44), opening up a space where Sandlot Gray encloses it.
Sandlot Gray reflects far more light (LRV 44 vs 27), opening up a space where Denim Drift encloses it.
Their light reflectance is nearly identical (LRV 44 vs 43), so neither reads brighter in a room.
At LRV 44 vs 4, Sandlot Gray is decisively the brighter choice.
Tranquil Dawn reads slightly lighter (LRV 55 vs 44), a gap that shows most in low-lit rooms.
Sandlot Gray reflects far more light (LRV 44 vs 13), opening up a space where Bancha encloses it.
With LRVs of 44 and 44, the two reflect almost the same amount of light.
At LRV 84 vs 44, Pure White is decisively the brighter choice.
At LRV 44 vs 21, Sandlot Gray is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 44), opening up a space where Sandlot Gray encloses it.
Shoji White reflects far more light (LRV 74 vs 44), opening up a space where Sandlot Gray encloses it.
Snowbound reflects far more light (LRV 83 vs 44), opening up a space where Sandlot Gray encloses it.
Sandlot Gray reflects far more light (LRV 44 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 44), opening up a space where Sandlot Gray encloses it.
Their light reflectance is nearly identical (LRV 44 vs 41), so neither reads brighter in a room.
At LRV 68 vs 44, Calamine is decisively the brighter choice.
At LRV 44 vs 25, Sandlot Gray is decisively the brighter choice.
Sandlot Gray reflects far more light (LRV 44 vs 12), opening up a space where Vintage Vogue encloses it.
With LRVs of 45 and 44, the two reflect almost the same amount of light.
At LRV 44 vs 31, Sandlot Gray is decisively the brighter choice.
At LRV 44 vs 7, Sandlot Gray is decisively the brighter choice.
At LRV 44 vs 24, Sandlot Gray is decisively the brighter choice.
At LRV 57 vs 44, Guilford Green is decisively the brighter choice.