Saybrook Sage vs Antimony
Saybrook Sage is a Benjamin Moore color while Antimony comes from Sherwin-Williams. These are both greys, so the question isn't which hue to choose — it's where within grey to land. At LRV 57 vs 45, Antimony will read as the brighter of the two — a 12-point gap that matters most in north-facing or low-light rooms. The tonal difference — Saybrook Sage's green character against Antimony's neutral — becomes most visible against white trim or in morning light. At ΔE 10.5, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 7 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Saybrook Sage vs Antimony in Real Spaces
7 real rooms side by side. Seeing Saybrook Sage and Antimony in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Antimony returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Antimony will make the room feel meaningfully brighter than Saybrook Sage would.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. Antimony reflects noticeably more light off the walls, making the space read more open than Saybrook Sage.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that Antimony will make the room feel meaningfully brighter than Saybrook Sage would.
Mudroom
A mudroom color needs to hold up under the most casual scrutiny: a glance as you're coming and going, often in mixed or artificial light. Antimony reflects noticeably more light off the walls, making the space read more open than Saybrook Sage.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The LRV gap is large enough that Antimony will make the room feel meaningfully brighter than Saybrook Sage would.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Antimony returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Saybrook Sage vs Antimony Simulated Comparison
5 simulated room previews — drag the slider on each to see Saybrook Sage on one side and Antimony on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Saybrook Sage comparisons
See how Saybrook Sage stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 69 vs 45, Ammonite is decisively the brighter choice.
Saybrook Sage reflects far more light (LRV 45 vs 6), opening up a space where Iron Ore encloses it.
A 6-point LRV gap (52 vs 45) makes Purbeck Stone the marginally brighter of the two.
At LRV 45 vs 30, Saybrook Sage is decisively the brighter choice.
Mizzle reads slightly lighter (LRV 52 vs 45), a gap that shows most in low-lit rooms.
At LRV 60 vs 45, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 45), opening up a space where Saybrook Sage encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 27), opening up a space where Denim Drift encloses it.
Their light reflectance is nearly identical (LRV 45 vs 43), so neither reads brighter in a room.
At LRV 45 vs 4, Saybrook Sage is decisively the brighter choice.
Tranquil Dawn reads slightly lighter (LRV 55 vs 45), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 13), opening up a space where Bancha encloses it.
With LRVs of 45 and 44, the two reflect almost the same amount of light.
At LRV 84 vs 45, Pure White is decisively the brighter choice.
At LRV 45 vs 21, Saybrook Sage is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 45), opening up a space where Saybrook Sage encloses it.
Shoji White reflects far more light (LRV 74 vs 45), opening up a space where Saybrook Sage encloses it.
Snowbound reflects far more light (LRV 83 vs 45), opening up a space where Saybrook Sage encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 45), opening up a space where Saybrook Sage encloses it.
A 4-point LRV gap (45 vs 41) makes Saybrook Sage the marginally brighter of the two.
At LRV 68 vs 45, Calamine is decisively the brighter choice.
At LRV 45 vs 25, Saybrook Sage is decisively the brighter choice.
Saybrook Sage reflects far more light (LRV 45 vs 12), opening up a space where Vintage Vogue encloses it.
At LRV 45 vs 31, Saybrook Sage is decisively the brighter choice.
At LRV 45 vs 7, Saybrook Sage is decisively the brighter choice.
At LRV 45 vs 24, Saybrook Sage is decisively the brighter choice.
A 12-point LRV gap (57 vs 45) makes Guilford Green the marginally brighter of the two.
At LRV 72 vs 45, Just Walnut is decisively the brighter choice.