Shark Gray vs Studio Clay
Both from Benjamin Moore's palette. Hue-wise, Shark Gray belongs to the grey family and Studio Clay to the greige-grey family. Studio Clay (LRV 29) reflects noticeably more light than Shark Gray (LRV 23), a difference of 6 points that becomes especially apparent in rooms with limited natural light. Shark Gray runs blue while Studio Clay is decidedly red, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 12.2, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Shark Gray vs Studio Clay Simulated Comparison
5 simulated room previews — drag the slider on each to see Shark Gray on one side and Studio Clay on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Shark Gray comparisons
See how Shark Gray stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 23, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 23), opening up a space where Shark Gray encloses it.
At LRV 23 vs 6, Shark Gray is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 23), opening up a space where Shark Gray encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 23), a gap that shows most in low-lit rooms.
At LRV 52 vs 23, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 23), opening up a space where Shark Gray encloses it.
At LRV 58 vs 23, Accessible Beige is decisively the brighter choice.
A 4-point LRV gap (27 vs 23) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 23), opening up a space where Shark Gray encloses it.
Shark Gray reflects far more light (LRV 23 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 23, Tranquil Dawn is decisively the brighter choice.
A 10-point LRV gap (23 vs 13) makes Shark Gray the marginally brighter of the two.
At LRV 44 vs 23, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 23), opening up a space where Shark Gray encloses it.
With LRVs of 23 and 21, the two reflect almost the same amount of light.
At LRV 66 vs 23, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 23, Shoji White is decisively the brighter choice.
At LRV 83 vs 23, Snowbound is decisively the brighter choice.
A 11-point LRV gap (23 vs 12) makes Shark Gray the marginally brighter of the two.
At LRV 68 vs 23, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 23), opening up a space where Shark Gray encloses it.
Calamine reflects far more light (LRV 68 vs 23), opening up a space where Shark Gray encloses it.
With LRVs of 25 and 23, the two reflect almost the same amount of light.
A 11-point LRV gap (23 vs 12) makes Shark Gray the marginally brighter of the two.
At LRV 45 vs 23, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 23), a gap that shows most in low-lit rooms.
Shark Gray reflects far more light (LRV 23 vs 7), opening up a space where Pine Needle encloses it.
With LRVs of 24 and 23, the two reflect almost the same amount of light.
Guilford Green reflects far more light (LRV 57 vs 23), opening up a space where Shark Gray encloses it.