Silver Lining vs Train
Where Silver Lining belongs to Benjamin Moore's range, Train is a PPG color. These are both blue-greys, so the question isn't which hue to choose — it's where within blue-grey to land. Silver Lining (LRV 58) reflects noticeably more light than Train (LRV 54), a difference of 4 points that becomes especially apparent in rooms with limited natural light. At ΔE 2.9, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Silver Lining vs Train Simulated Comparison
5 simulated room previews — drag the slider on each to see Silver Lining on one side and Train on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Silver Lining comparisons
See how Silver Lining stacks up against other well-photographed colors across different brands and tones.
A 11-point LRV gap (69 vs 58) makes Ammonite the marginally brighter of the two.
White Dove reflects far more light (LRV 83 vs 58), opening up a space where Silver Lining encloses it.
Silver Lining reflects far more light (LRV 58 vs 6), opening up a space where Iron Ore encloses it.
A 6-point LRV gap (58 vs 52) makes Silver Lining the marginally brighter of the two.
At LRV 58 vs 30, Silver Lining is decisively the brighter choice.
Silver Lining reads slightly lighter (LRV 58 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.
With LRVs of 58 and 58, the two reflect almost the same amount of light.
Silver Lining reflects far more light (LRV 58 vs 27), opening up a space where Denim Drift encloses it.
At LRV 58 vs 43, Silver Lining is decisively the brighter choice.
At LRV 58 vs 4, Silver Lining is decisively the brighter choice.
Silver Lining reads slightly lighter (LRV 58 vs 55), a gap that shows most in low-lit rooms.
Silver Lining reflects far more light (LRV 58 vs 13), opening up a space where Bancha encloses it.
Silver Lining reflects far more light (LRV 58 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 58, Pure White is decisively the brighter choice.
At LRV 58 vs 21, Silver Lining is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 58), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 58), opening up a space where Silver Lining encloses it.
Snowbound reflects far more light (LRV 83 vs 58), opening up a space where Silver Lining encloses it.
A 8-point LRV gap (58 vs 51) makes Silver Lining the marginally brighter of the two.
Silver Lining reflects far more light (LRV 58 vs 12), opening up a space where Pewter Green encloses it.
Silver Lining reflects far more light (LRV 58 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 58), a gap that shows most in low-lit rooms.
At LRV 58 vs 41, Silver Lining is decisively the brighter choice.
Silver Lining reflects far more light (LRV 58 vs 12), opening up a space where Vintage Vogue encloses it.
Silver Lining reflects far more light (LRV 58 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 58 vs 31, Silver Lining is decisively the brighter choice.