Skipping Stone vs Stoneware
Both from Benjamin Moore's palette. Hue-wise, Skipping Stone belongs to the beige-greige family and Stoneware to the beige-yellow family. Stoneware (LRV 81) reflects noticeably more light than Skipping Stone (LRV 62), a difference of 19 points that becomes especially apparent in rooms with limited natural light. Skipping Stone runs yellow and red while Stoneware is decidedly yellow, which means they'll respond very differently to warm vs cool light sources. The ΔE 9.5 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Skipping Stone vs Stoneware Simulated Comparison
5 simulated room previews — drag the slider on each to see Skipping Stone on one side and Stoneware on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Skipping Stone comparisons
See how Skipping Stone stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 62), opening up a space where Skipping Stone encloses it.
A 7-point LRV gap (69 vs 62) makes Ammonite the marginally brighter of the two.
Skipping Stone reflects far more light (LRV 62 vs 6), opening up a space where Iron Ore encloses it.
A 10-point LRV gap (62 vs 52) makes Skipping Stone the marginally brighter of the two.
At LRV 62 vs 30, Skipping Stone is decisively the brighter choice.
Skipping Stone reads slightly lighter (LRV 62 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 62 vs 60), so neither reads brighter in a room.
Skipping Stone reads slightly lighter (LRV 62 vs 58), a gap that shows most in low-lit rooms.
Skipping Stone reflects far more light (LRV 62 vs 27), opening up a space where Denim Drift encloses it.
At LRV 62 vs 43, Skipping Stone is decisively the brighter choice.
At LRV 62 vs 4, Skipping Stone is decisively the brighter choice.
Skipping Stone reads slightly lighter (LRV 62 vs 55), a gap that shows most in low-lit rooms.
Skipping Stone reflects far more light (LRV 62 vs 13), opening up a space where Bancha encloses it.
Skipping Stone reflects far more light (LRV 62 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 62, Pure White is decisively the brighter choice.
At LRV 62 vs 21, Skipping Stone is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 62), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 62), opening up a space where Skipping Stone encloses it.
Snowbound reflects far more light (LRV 83 vs 62), opening up a space where Skipping Stone encloses it.
Skipping Stone reflects far more light (LRV 62 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 62), a gap that shows most in low-lit rooms.
At LRV 62 vs 41, Skipping Stone is decisively the brighter choice.
A 6-point LRV gap (68 vs 62) makes Calamine the marginally brighter of the two.
At LRV 62 vs 25, Skipping Stone is decisively the brighter choice.
Skipping Stone reflects far more light (LRV 62 vs 12), opening up a space where Vintage Vogue encloses it.
Skipping Stone reflects far more light (LRV 62 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 62 vs 31, Skipping Stone is decisively the brighter choice.
At LRV 62 vs 7, Skipping Stone is decisively the brighter choice.
At LRV 62 vs 24, Skipping Stone is decisively the brighter choice.
A 4-point LRV gap (62 vs 57) makes Skipping Stone the marginally brighter of the two.