Snow on the Mountain vs Springhill Green paint color comparison

Snow on the Mountain vs Springhill Green

Both from Benjamin Moore's palette. Snow on the Mountain reads as beige-yellow, while Springhill Green reads as green-yellow — two distinct hue families, not close cousins. Snow on the Mountain (LRV 80) reflects noticeably more light than Springhill Green (LRV 47), a difference of 33 points that becomes especially apparent in rooms with limited natural light. Snow on the Mountain runs warm while Springhill Green is decidedly green, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 47.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Snow on the Mountain
Benjamin Moore · 1513
Hex#EDEBDD
LRV80.1
BrandBenjamin Moore
Number1513
Undertone
TemperatureWarm
BrightnessLight
Springhill Green
Benjamin Moore · 412
Hex#A5C667
LRV47.3
BrandBenjamin Moore
Number412
UndertoneGreen
TemperatureNeutral
BrightnessMedium

Snow on the Mountain vs Springhill Green Simulated Comparison

5 simulated room previews — drag the slider on each to see Snow on the Mountain on one side and Springhill Green on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Snow on the Mountain comparisons

See how Snow on the Mountain stacks up against other well-photographed colors across different brands and tones.

White Dove
Snow on the Mountain
White Dove
Benjamin Moore
Snow on the Mountain
1513 · LRV 80

White Dove reads slightly lighter (LRV 83 vs 80), a gap that shows most in low-lit rooms.

Ammonite
Snow on the Mountain
Ammonite
Benjamin Moore
Snow on the Mountain
1513 · LRV 80
Farrow & Ball
Ammonite
LRV 69

A 11-point LRV gap (80 vs 69) makes Snow on the Mountain the marginally brighter of the two.

Iron Ore
Snow on the Mountain
Iron Ore
Benjamin Moore
Snow on the Mountain
1513 · LRV 80

Snow on the Mountain reflects far more light (LRV 80 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
Snow on the Mountain
Purbeck Stone
Benjamin Moore
Snow on the Mountain
1513 · LRV 80

At LRV 80 vs 52, Snow on the Mountain is decisively the brighter choice.

Evergreen Fog
Snow on the Mountain
Evergreen Fog
Benjamin Moore
Snow on the Mountain
1513 · LRV 80

At LRV 80 vs 30, Snow on the Mountain is decisively the brighter choice.

Mizzle
Snow on the Mountain
Mizzle
Benjamin Moore
Snow on the Mountain
1513 · LRV 80
Farrow & Ball
Mizzle
LRV 52

Snow on the Mountain reflects far more light (LRV 80 vs 52), opening up a space where Mizzle encloses it.

Agreeable Gray
Snow on the Mountain
Agreeable Gray

At LRV 80 vs 60, Snow on the Mountain is decisively the brighter choice.

Accessible Beige
Snow on the Mountain
Accessible Beige

Snow on the Mountain reflects far more light (LRV 80 vs 58), opening up a space where Accessible Beige encloses it.

Denim Drift
Snow on the Mountain
Denim Drift
Benjamin Moore
Snow on the Mountain
1513 · LRV 80

Snow on the Mountain reflects far more light (LRV 80 vs 27), opening up a space where Denim Drift encloses it.

French Gray
Snow on the Mountain
French Gray
Benjamin Moore
Snow on the Mountain
1513 · LRV 80

At LRV 80 vs 43, Snow on the Mountain is decisively the brighter choice.

Naval
Snow on the Mountain
Naval
Benjamin Moore
Snow on the Mountain
1513 · LRV 80
Sherwin-Williams
Naval
LRV 4

At LRV 80 vs 4, Snow on the Mountain is decisively the brighter choice.

Tranquil Dawn
Snow on the Mountain
Tranquil Dawn
Benjamin Moore
Snow on the Mountain
1513 · LRV 80

Snow on the Mountain reflects far more light (LRV 80 vs 55), opening up a space where Tranquil Dawn encloses it.

Bancha
Snow on the Mountain
Bancha
Benjamin Moore
Snow on the Mountain
1513 · LRV 80
Farrow & Ball
Bancha
LRV 13

Snow on the Mountain reflects far more light (LRV 80 vs 13), opening up a space where Bancha encloses it.

Hardwick White
Snow on the Mountain
Hardwick White

Snow on the Mountain reflects far more light (LRV 80 vs 44), opening up a space where Hardwick White encloses it.

Pure White
Snow on the Mountain
Pure White
Benjamin Moore
Snow on the Mountain
1513 · LRV 80

A 4-point LRV gap (84 vs 80) makes Pure White the marginally brighter of the two.

Artichoke
Snow on the Mountain
Artichoke
Benjamin Moore
Snow on the Mountain
1513 · LRV 80
Sherwin-Williams
Artichoke
LRV 21

At LRV 80 vs 21, Snow on the Mountain is decisively the brighter choice.

Balboa Mist
Balboa Mist
Snow on the Mountain
Benjamin Moore
Snow on the Mountain
1513 · LRV 80

Snow on the Mountain reflects far more light (LRV 80 vs 66), opening up a space where Balboa Mist encloses it.

Shoji White
Snow on the Mountain
Shoji White
Benjamin Moore
Snow on the Mountain
1513 · LRV 80

Snow on the Mountain reads slightly lighter (LRV 80 vs 74), a gap that shows most in low-lit rooms.

Snowbound
Snow on the Mountain
Snowbound
Benjamin Moore
Snow on the Mountain
1513 · LRV 80
Sherwin-Williams
Snowbound
LRV 83

With LRVs of 83 and 80, the two reflect almost the same amount of light.

Pewter Green
Snow on the Mountain
Pewter Green
Benjamin Moore
Snow on the Mountain
1513 · LRV 80

Snow on the Mountain reflects far more light (LRV 80 vs 12), opening up a space where Pewter Green encloses it.

Skimming Stone
Snow on the Mountain
Skimming Stone

Snow on the Mountain reads slightly lighter (LRV 80 vs 68), a gap that shows most in low-lit rooms.

Dix Blue
Snow on the Mountain
Dix Blue
Benjamin Moore
Snow on the Mountain
1513 · LRV 80
Farrow & Ball
Dix Blue
LRV 41

At LRV 80 vs 41, Snow on the Mountain is decisively the brighter choice.

Calamine
Snow on the Mountain
Calamine
Benjamin Moore
Snow on the Mountain
1513 · LRV 80
Farrow & Ball
Calamine
LRV 68

At LRV 80 vs 68, Snow on the Mountain is decisively the brighter choice.

Treron
Snow on the Mountain
Treron
Benjamin Moore
Snow on the Mountain
1513 · LRV 80
Farrow & Ball
Treron
LRV 25

At LRV 80 vs 25, Snow on the Mountain is decisively the brighter choice.

Vintage Vogue
Snow on the Mountain
Vintage Vogue
Benjamin Moore
Snow on the Mountain
1513 · LRV 80

Snow on the Mountain reflects far more light (LRV 80 vs 12), opening up a space where Vintage Vogue encloses it.

Saybrook Sage
Saybrook Sage
Snow on the Mountain
Benjamin Moore
Snow on the Mountain
1513 · LRV 80

Snow on the Mountain reflects far more light (LRV 80 vs 45), opening up a space where Saybrook Sage encloses it.

Pale Green
Snow on the Mountain
Pale Green
Benjamin Moore
Snow on the Mountain
1513 · LRV 80
RAL ClassicClassic
Pale Green
LRV 31

At LRV 80 vs 31, Snow on the Mountain is decisively the brighter choice.

Pine Needle
Snow on the Mountain
Pine Needle
Benjamin Moore
Snow on the Mountain
1513 · LRV 80

At LRV 80 vs 7, Snow on the Mountain is decisively the brighter choice.

Cement grey
Snow on the Mountain
Cement grey
Benjamin Moore
Snow on the Mountain
1513 · LRV 80
RAL ClassicClassic
Cement grey
LRV 24

At LRV 80 vs 24, Snow on the Mountain is decisively the brighter choice.

Guilford Green
Guilford Green
Snow on the Mountain

At LRV 80 vs 57, Snow on the Mountain is decisively the brighter choice.