Spring Valley vs Evergreen Fog
Where Spring Valley belongs to Benjamin Moore's range, Evergreen Fog is a Sherwin-Williams color. Hue-wise, Spring Valley belongs to the green-yellow family and Evergreen Fog to the green-grey family. Spring Valley (LRV 56) reflects noticeably more light than Evergreen Fog (LRV 30), a difference of 25 points that becomes especially apparent in rooms with limited natural light. Spring Valley runs green while Evergreen Fog is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 19.7, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Spring Valley vs Evergreen Fog Simulated Comparison
5 simulated room previews — drag the slider on each to see Spring Valley on one side and Evergreen Fog on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Spring Valley comparisons
See how Spring Valley stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 56, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 56), opening up a space where Spring Valley encloses it.
At LRV 56 vs 6, Spring Valley is decisively the brighter choice.
Spring Valley reads slightly lighter (LRV 56 vs 52), a gap that shows most in low-lit rooms.
A 4-point LRV gap (56 vs 52) makes Spring Valley the marginally brighter of the two.
Agreeable Gray reads slightly lighter (LRV 60 vs 56), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 58 vs 56), so neither reads brighter in a room.
At LRV 56 vs 27, Spring Valley is decisively the brighter choice.
Spring Valley reflects far more light (LRV 56 vs 43), opening up a space where French Gray encloses it.
Spring Valley reflects far more light (LRV 56 vs 4), opening up a space where Naval encloses it.
Their light reflectance is nearly identical (LRV 56 vs 55), so neither reads brighter in a room.
At LRV 56 vs 13, Spring Valley is decisively the brighter choice.
At LRV 56 vs 44, Spring Valley is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 56), opening up a space where Spring Valley encloses it.
Spring Valley reflects far more light (LRV 56 vs 21), opening up a space where Artichoke encloses it.
A 10-point LRV gap (66 vs 56) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 56, Shoji White is decisively the brighter choice.
At LRV 83 vs 56, Snowbound is decisively the brighter choice.
At LRV 56 vs 12, Spring Valley is decisively the brighter choice.
At LRV 68 vs 56, Skimming Stone is decisively the brighter choice.
Spring Valley reflects far more light (LRV 56 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 56), a gap that shows most in low-lit rooms.
Spring Valley reflects far more light (LRV 56 vs 25), opening up a space where Treron encloses it.
At LRV 56 vs 12, Spring Valley is decisively the brighter choice.
A 10-point LRV gap (56 vs 45) makes Spring Valley the marginally brighter of the two.
Spring Valley reflects far more light (LRV 56 vs 31), opening up a space where Pale Green encloses it.
Spring Valley reflects far more light (LRV 56 vs 7), opening up a space where Pine Needle encloses it.
Spring Valley reflects far more light (LRV 56 vs 24), opening up a space where Cement grey encloses it.
With LRVs of 57 and 56, the two reflect almost the same amount of light.
Just Walnut reflects far more light (LRV 72 vs 56), opening up a space where Spring Valley encloses it.