Sterling vs Hicks' Blue
Sterling is a Benjamin Moore color while Hicks' Blue comes from Little Greene. Sterling reads as grey, while Hicks' Blue reads as blue — two distinct hue families, not close cousins. Sterling has an LRV of 62. The tonal difference — Sterling's green character against Hicks' Blue's blue — becomes most visible against white trim or in morning light. At ΔE 49.1, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Sterling vs Hicks' Blue in Real Spaces
2 real rooms side by side. Seeing Sterling and Hicks' Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Sterling vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Sterling on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sterling comparisons
See how Sterling stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 62, White Dove is decisively the brighter choice.
Sterling reads slightly lighter (LRV 62 vs 52), a gap that shows most in low-lit rooms.
Sterling reflects far more light (LRV 62 vs 30), opening up a space where Evergreen Fog encloses it.
With LRVs of 62 and 60, the two reflect almost the same amount of light.
A 5-point LRV gap (62 vs 58) makes Sterling the marginally brighter of the two.
At LRV 62 vs 27, Sterling is decisively the brighter choice.
Sterling reflects far more light (LRV 62 vs 43), opening up a space where French Gray encloses it.
A 7-point LRV gap (62 vs 55) makes Sterling the marginally brighter of the two.
At LRV 62 vs 44, Sterling is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 62), opening up a space where Sterling encloses it.
A 3-point LRV gap (66 vs 62) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 62, Shoji White is decisively the brighter choice.
At LRV 62 vs 12, Sterling is decisively the brighter choice.
At LRV 62 vs 8, Sterling is decisively the brighter choice.
A 6-point LRV gap (68 vs 62) makes Skimming Stone the marginally brighter of the two.
At LRV 62 vs 12, Sterling is decisively the brighter choice.
At LRV 62 vs 45, Sterling is decisively the brighter choice.
Sterling reflects far more light (LRV 62 vs 31), opening up a space where Pale Green encloses it.
Sterling reflects far more light (LRV 62 vs 7), opening up a space where Pine Needle encloses it.