Sutton Pink vs Hicks' Blue
Sutton Pink (Benjamin Moore) and Hicks' Blue (Little Greene) come from different manufacturers. Hue-wise, Sutton Pink belongs to the pink-red family and Hicks' Blue to the blue family. Sutton Pink has an LRV of 80. Where Sutton Pink leans warm, Hicks' Blue reads blue — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 59.9 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Sutton Pink vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Sutton Pink on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sutton Pink comparisons
See how Sutton Pink stacks up against other well-photographed colors across different brands and tones.
Sutton Pink reads slightly lighter (LRV 80 vs 69), a gap that shows most in low-lit rooms.
A 3-point LRV gap (83 vs 80) makes White Dove the marginally brighter of the two.
At LRV 80 vs 6, Sutton Pink is decisively the brighter choice.
Sutton Pink reflects far more light (LRV 80 vs 52), opening up a space where Purbeck Stone encloses it.
Sutton Pink reflects far more light (LRV 80 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 80 vs 52, Sutton Pink is decisively the brighter choice.
Sutton Pink reflects far more light (LRV 80 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 80 vs 58, Sutton Pink is decisively the brighter choice.
At LRV 80 vs 27, Sutton Pink is decisively the brighter choice.
Sutton Pink reflects far more light (LRV 80 vs 43), opening up a space where French Gray encloses it.
Sutton Pink reflects far more light (LRV 80 vs 4), opening up a space where Naval encloses it.
At LRV 80 vs 55, Sutton Pink is decisively the brighter choice.
At LRV 80 vs 13, Sutton Pink is decisively the brighter choice.
At LRV 80 vs 44, Sutton Pink is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 80), a gap that shows most in low-lit rooms.
Sutton Pink reflects far more light (LRV 80 vs 21), opening up a space where Artichoke encloses it.
At LRV 80 vs 66, Sutton Pink is decisively the brighter choice.
A 6-point LRV gap (80 vs 74) makes Sutton Pink the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 83 vs 80), so neither reads brighter in a room.
Sutton Pink reflects far more light (LRV 80 vs 51), opening up a space where Pigeon encloses it.
At LRV 80 vs 12, Sutton Pink is decisively the brighter choice.
At LRV 80 vs 8, Sutton Pink is decisively the brighter choice.
At LRV 80 vs 68, Sutton Pink is decisively the brighter choice.
Sutton Pink reflects far more light (LRV 80 vs 41), opening up a space where Dix Blue encloses it.
At LRV 80 vs 12, Sutton Pink is decisively the brighter choice.
At LRV 80 vs 45, Sutton Pink is decisively the brighter choice.
Sutton Pink reflects far more light (LRV 80 vs 31), opening up a space where Pale Green encloses it.
Sutton Pink reflects far more light (LRV 80 vs 7), opening up a space where Pine Needle encloses it.