Tea Light vs Hicks' Blue
Tea Light (Benjamin Moore) and Hicks' Blue (Little Greene) come from different manufacturers. Hue-wise, Tea Light belongs to the green-yellow family and Hicks' Blue to the blue family. Tea Light has an LRV of 60. Where Tea Light leans green, Hicks' Blue reads blue — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 49.8 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Tea Light vs Hicks' Blue in Real Spaces
2 real rooms side by side. Seeing Tea Light and Hicks' Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Tea Light vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Tea Light on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Tea Light comparisons
See how Tea Light stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 60), opening up a space where Tea Light encloses it.
A 8-point LRV gap (60 vs 52) makes Tea Light the marginally brighter of the two.
At LRV 60 vs 30, Tea Light is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 60 vs 60), so neither reads brighter in a room.
With LRVs of 60 and 58, the two reflect almost the same amount of light.
Tea Light reflects far more light (LRV 60 vs 27), opening up a space where Denim Drift encloses it.
At LRV 60 vs 43, Tea Light is decisively the brighter choice.
Tea Light reads slightly lighter (LRV 60 vs 55), a gap that shows most in low-lit rooms.
Tea Light reflects far more light (LRV 60 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 60, Pure White is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 60), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 60), opening up a space where Tea Light encloses it.
Tea Light reflects far more light (LRV 60 vs 12), opening up a space where Pewter Green encloses it.
Tea Light reflects far more light (LRV 60 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
Tea Light reflects far more light (LRV 60 vs 12), opening up a space where Vintage Vogue encloses it.
Tea Light reflects far more light (LRV 60 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 60 vs 31, Tea Light is decisively the brighter choice.
At LRV 60 vs 7, Tea Light is decisively the brighter choice.