Thousand Oceans vs Wild Blue Yonder
Both from Benjamin Moore's palette. Hue-wise, Thousand Oceans belongs to the blue family and Wild Blue Yonder to the blue-grey family. Wild Blue Yonder (LRV 27) reflects noticeably more light than Thousand Oceans (LRV 18), a difference of 9 points that becomes especially apparent in rooms with limited natural light. Both lean blue, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 10.3, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Thousand Oceans vs Wild Blue Yonder in Real Spaces
1 real room side by side. Seeing Thousand Oceans and Wild Blue Yonder in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Wild Blue Yonder will make the room feel meaningfully brighter than Thousand Oceans would.
Color Details
Thousand Oceans vs Wild Blue Yonder Simulated Comparison
5 simulated room previews — drag the slider on each to see Thousand Oceans on one side and Wild Blue Yonder on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Thousand Oceans comparisons
See how Thousand Oceans stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 18, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 18), opening up a space where Thousand Oceans encloses it.
At LRV 18 vs 6, Thousand Oceans is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 18), opening up a space where Thousand Oceans encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 18), opening up a space where Thousand Oceans encloses it.
At LRV 52 vs 18, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 18), opening up a space where Thousand Oceans encloses it.
At LRV 58 vs 18, Accessible Beige is decisively the brighter choice.
A 9-point LRV gap (27 vs 18) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 18), opening up a space where Thousand Oceans encloses it.
Thousand Oceans reflects far more light (LRV 18 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 18, Tranquil Dawn is decisively the brighter choice.
A 4-point LRV gap (18 vs 13) makes Thousand Oceans the marginally brighter of the two.
At LRV 44 vs 18, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 18), opening up a space where Thousand Oceans encloses it.
Artichoke reads slightly lighter (LRV 21 vs 18), a gap that shows most in low-lit rooms.
At LRV 66 vs 18, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 18, Shoji White is decisively the brighter choice.
At LRV 83 vs 18, Snowbound is decisively the brighter choice.
A 6-point LRV gap (18 vs 12) makes Thousand Oceans the marginally brighter of the two.
At LRV 68 vs 18, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 18), opening up a space where Thousand Oceans encloses it.
Calamine reflects far more light (LRV 68 vs 18), opening up a space where Thousand Oceans encloses it.
Treron reads slightly lighter (LRV 25 vs 18), a gap that shows most in low-lit rooms.
A 6-point LRV gap (18 vs 12) makes Thousand Oceans the marginally brighter of the two.
At LRV 45 vs 18, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 18), opening up a space where Thousand Oceans encloses it.
Thousand Oceans reads slightly lighter (LRV 18 vs 7), a gap that shows most in low-lit rooms.
Cement grey reads slightly lighter (LRV 24 vs 18), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 18), opening up a space where Thousand Oceans encloses it.