Trout Gray vs In The Shadows
Where Trout Gray belongs to Benjamin Moore's range, In The Shadows is a PPG color. Hue-wise, Trout Gray belongs to the grey family and In The Shadows to the blue-grey family. They have nearly identical light reflectance values (16 vs 15), so they'll read as similarly Dark in most lighting conditions. At ΔE 2.0, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Trout Gray vs In The Shadows in Real Spaces
5 real rooms side by side. Trout Gray and In The Shadows are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Mudroom
Mudrooms are seen in passing, often under whatever light comes through the door — a context that favors colors with some depth. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
Trout Gray vs In The Shadows Simulated Comparison
5 simulated room previews — drag the slider on each to see Trout Gray on one side and In The Shadows on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Trout Gray comparisons
See how Trout Gray stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 16), opening up a space where Trout Gray encloses it.
At LRV 83 vs 16, White Dove is decisively the brighter choice.
A 11-point LRV gap (16 vs 6) makes Trout Gray the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 16), opening up a space where Trout Gray encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 16), opening up a space where Trout Gray encloses it.
At LRV 52 vs 16, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 16), opening up a space where Trout Gray encloses it.
At LRV 58 vs 16, Accessible Beige is decisively the brighter choice.
A 11-point LRV gap (27 vs 16) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 16), opening up a space where Trout Gray encloses it.
Trout Gray reads slightly lighter (LRV 16 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 16, Tranquil Dawn is decisively the brighter choice.
A 3-point LRV gap (16 vs 13) makes Trout Gray the marginally brighter of the two.
At LRV 44 vs 16, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 16), opening up a space where Trout Gray encloses it.
Artichoke reads slightly lighter (LRV 21 vs 16), a gap that shows most in low-lit rooms.
At LRV 66 vs 16, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 16, Shoji White is decisively the brighter choice.
At LRV 83 vs 16, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 16), opening up a space where Trout Gray encloses it.
A 5-point LRV gap (16 vs 12) makes Trout Gray the marginally brighter of the two.
A 8-point LRV gap (16 vs 8) makes Trout Gray the marginally brighter of the two.
At LRV 68 vs 16, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 16), opening up a space where Trout Gray encloses it.
A 5-point LRV gap (16 vs 12) makes Trout Gray the marginally brighter of the two.
At LRV 45 vs 16, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 16), opening up a space where Trout Gray encloses it.