Varsity Blues vs Shoji White
Where Varsity Blues belongs to Benjamin Moore's range, Shoji White is a Sherwin-Williams color. Varsity Blues reads as blue, while Shoji White reads as beige-greige — two distinct hue families, not close cousins. Shoji White (LRV 74) reflects noticeably more light than Varsity Blues (LRV 14), a difference of 61 points that becomes especially apparent in rooms with limited natural light. Varsity Blues runs blue while Shoji White is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 55.3, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Varsity Blues vs Shoji White Simulated Comparison
5 simulated room previews — drag the slider on each to see Varsity Blues on one side and Shoji White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Varsity Blues comparisons
See how Varsity Blues stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 14, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 14), opening up a space where Varsity Blues encloses it.
A 8-point LRV gap (14 vs 6) makes Varsity Blues the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 14), opening up a space where Varsity Blues encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 14), opening up a space where Varsity Blues encloses it.
At LRV 52 vs 14, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 14), opening up a space where Varsity Blues encloses it.
At LRV 58 vs 14, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 14, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 14), opening up a space where Varsity Blues encloses it.
Varsity Blues reads slightly lighter (LRV 14 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 14, Tranquil Dawn is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 14 vs 13), so neither reads brighter in a room.
At LRV 44 vs 14, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 14), opening up a space where Varsity Blues encloses it.
Artichoke reads slightly lighter (LRV 21 vs 14), a gap that shows most in low-lit rooms.
At LRV 66 vs 14, Balboa Mist is decisively the brighter choice.
At LRV 83 vs 14, Snowbound is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 14 vs 12), so neither reads brighter in a room.
At LRV 68 vs 14, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 14), opening up a space where Varsity Blues encloses it.
Calamine reflects far more light (LRV 68 vs 14), opening up a space where Varsity Blues encloses it.
Treron reads slightly lighter (LRV 25 vs 14), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 14 vs 12), so neither reads brighter in a room.
At LRV 45 vs 14, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 14), opening up a space where Varsity Blues encloses it.
Varsity Blues reads slightly lighter (LRV 14 vs 7), a gap that shows most in low-lit rooms.
Cement grey reads slightly lighter (LRV 24 vs 14), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 14), opening up a space where Varsity Blues encloses it.
Just Walnut reflects far more light (LRV 72 vs 14), opening up a space where Varsity Blues encloses it.