Winding Vines vs RAL 240-3
Winding Vines (Benjamin Moore) and RAL 240-3 (RAL Effect) come from different manufacturers. These are both beige-greiges, so the question isn't which hue to choose — it's where within beige-greige to land. Their light reflectance values are nearly the same — 26 vs 27 — so neither will read significantly brighter or darker than the other. ΔE 6.5 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Winding Vines vs RAL 240-3 Simulated Comparison
5 simulated room previews — drag the slider on each to see Winding Vines on one side and RAL 240-3 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Winding Vines comparisons
See how Winding Vines stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 26, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 26), opening up a space where Winding Vines encloses it.
At LRV 26 vs 6, Winding Vines is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 26), opening up a space where Winding Vines encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 26), a gap that shows most in low-lit rooms.
At LRV 52 vs 26, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 26), opening up a space where Winding Vines encloses it.
At LRV 58 vs 26, Accessible Beige is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 27 vs 26), so neither reads brighter in a room.
French Gray reflects far more light (LRV 43 vs 26), opening up a space where Winding Vines encloses it.
Winding Vines reflects far more light (LRV 26 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 26, Tranquil Dawn is decisively the brighter choice.
At LRV 26 vs 13, Winding Vines is decisively the brighter choice.
At LRV 44 vs 26, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 26), opening up a space where Winding Vines encloses it.
Winding Vines reads slightly lighter (LRV 26 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 26, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 26, Shoji White is decisively the brighter choice.
At LRV 83 vs 26, Snowbound is decisively the brighter choice.
At LRV 26 vs 12, Winding Vines is decisively the brighter choice.
At LRV 68 vs 26, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 26), opening up a space where Winding Vines encloses it.
Calamine reflects far more light (LRV 68 vs 26), opening up a space where Winding Vines encloses it.
With LRVs of 26 and 25, the two reflect almost the same amount of light.
At LRV 26 vs 12, Winding Vines is decisively the brighter choice.
At LRV 45 vs 26, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 26), a gap that shows most in low-lit rooms.
Winding Vines reflects far more light (LRV 26 vs 7), opening up a space where Pine Needle encloses it.
With LRVs of 26 and 24, the two reflect almost the same amount of light.
Guilford Green reflects far more light (LRV 57 vs 26), opening up a space where Winding Vines encloses it.