Winter Solstice vs Monorail Silver
Winter Solstice (Benjamin Moore) and Monorail Silver (Sherwin-Williams) come from different manufacturers. These are both greys, so the question isn't which hue to choose — it's where within grey to land. Their light reflectance values are nearly the same — 51 vs 50 — so neither will read significantly brighter or darker than the other. Where Winter Solstice leans green and blue, Monorail Silver reads neutral — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 1.2 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Winter Solstice vs Monorail Silver in Real Spaces
2 real rooms side by side. Winter Solstice and Monorail Silver are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Winter Solstice vs Monorail Silver Simulated Comparison
5 simulated room previews — drag the slider on each to see Winter Solstice on one side and Monorail Silver on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Winter Solstice comparisons
See how Winter Solstice stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 51, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 51), opening up a space where Winter Solstice encloses it.
At LRV 51 vs 6, Winter Solstice is decisively the brighter choice.
With LRVs of 52 and 51, the two reflect almost the same amount of light.
Winter Solstice reflects far more light (LRV 51 vs 30), opening up a space where Evergreen Fog encloses it.
Their light reflectance is nearly identical (LRV 52 vs 51), so neither reads brighter in a room.
Agreeable Gray reads slightly lighter (LRV 60 vs 51), a gap that shows most in low-lit rooms.
A 7-point LRV gap (58 vs 51) makes Accessible Beige the marginally brighter of the two.
At LRV 51 vs 27, Winter Solstice is decisively the brighter choice.
Winter Solstice reads slightly lighter (LRV 51 vs 43), a gap that shows most in low-lit rooms.
Winter Solstice reflects far more light (LRV 51 vs 4), opening up a space where Naval encloses it.
A 4-point LRV gap (55 vs 51) makes Tranquil Dawn the marginally brighter of the two.
At LRV 51 vs 13, Winter Solstice is decisively the brighter choice.
A 7-point LRV gap (51 vs 44) makes Winter Solstice the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 51), opening up a space where Winter Solstice encloses it.
Winter Solstice reflects far more light (LRV 51 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 51, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 51, Shoji White is decisively the brighter choice.
At LRV 83 vs 51, Snowbound is decisively the brighter choice.
At LRV 51 vs 12, Winter Solstice is decisively the brighter choice.
At LRV 68 vs 51, Skimming Stone is decisively the brighter choice.
Winter Solstice reads slightly lighter (LRV 51 vs 41), a gap that shows most in low-lit rooms.
Calamine reflects far more light (LRV 68 vs 51), opening up a space where Winter Solstice encloses it.
Winter Solstice reflects far more light (LRV 51 vs 25), opening up a space where Treron encloses it.
At LRV 51 vs 12, Winter Solstice is decisively the brighter choice.
A 5-point LRV gap (51 vs 45) makes Winter Solstice the marginally brighter of the two.
Winter Solstice reflects far more light (LRV 51 vs 31), opening up a space where Pale Green encloses it.
Winter Solstice reflects far more light (LRV 51 vs 7), opening up a space where Pine Needle encloses it.
Winter Solstice reflects far more light (LRV 51 vs 24), opening up a space where Cement grey encloses it.
Guilford Green reads slightly lighter (LRV 57 vs 51), a gap that shows most in low-lit rooms.