Yellow Roses vs Timid Absinthe
Where Yellow Roses belongs to Benjamin Moore's range, Timid Absinthe is a Valspar color. Yellow Roses reads as beige-yellow, while Timid Absinthe reads as yellow — two distinct hue families, not close cousins. They have nearly identical light reflectance values (74 vs 72), so they'll read as similarly Light in most lighting conditions. With a ΔE of 27.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Yellow Roses vs Timid Absinthe Simulated Comparison
5 simulated room previews — drag the slider on each to see Yellow Roses on one side and Timid Absinthe on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Yellow Roses comparisons
See how Yellow Roses stacks up against other well-photographed colors across different brands and tones.
A 10-point LRV gap (83 vs 74) makes White Dove the marginally brighter of the two.
Yellow Roses reads slightly lighter (LRV 74 vs 69), a gap that shows most in low-lit rooms.
At LRV 74 vs 6, Yellow Roses is decisively the brighter choice.
Yellow Roses reflects far more light (LRV 74 vs 52), opening up a space where Purbeck Stone encloses it.
Yellow Roses reflects far more light (LRV 74 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 74 vs 52, Yellow Roses is decisively the brighter choice.
Yellow Roses reflects far more light (LRV 74 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 74 vs 58, Yellow Roses is decisively the brighter choice.
At LRV 74 vs 27, Yellow Roses is decisively the brighter choice.
Yellow Roses reflects far more light (LRV 74 vs 43), opening up a space where French Gray encloses it.
Yellow Roses reflects far more light (LRV 74 vs 4), opening up a space where Naval encloses it.
At LRV 74 vs 55, Yellow Roses is decisively the brighter choice.
At LRV 74 vs 13, Yellow Roses is decisively the brighter choice.
At LRV 74 vs 44, Yellow Roses is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 74), a gap that shows most in low-lit rooms.
Yellow Roses reflects far more light (LRV 74 vs 21), opening up a space where Artichoke encloses it.
A 8-point LRV gap (74 vs 66) makes Yellow Roses the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 74 vs 74), so neither reads brighter in a room.
A 9-point LRV gap (83 vs 74) makes Snowbound the marginally brighter of the two.
At LRV 74 vs 12, Yellow Roses is decisively the brighter choice.
A 5-point LRV gap (74 vs 68) makes Yellow Roses the marginally brighter of the two.
Yellow Roses reflects far more light (LRV 74 vs 41), opening up a space where Dix Blue encloses it.
Yellow Roses reads slightly lighter (LRV 74 vs 68), a gap that shows most in low-lit rooms.
Yellow Roses reflects far more light (LRV 74 vs 25), opening up a space where Treron encloses it.
At LRV 74 vs 12, Yellow Roses is decisively the brighter choice.
At LRV 74 vs 45, Yellow Roses is decisively the brighter choice.
Yellow Roses reflects far more light (LRV 74 vs 31), opening up a space where Pale Green encloses it.
Yellow Roses reflects far more light (LRV 74 vs 7), opening up a space where Pine Needle encloses it.
Yellow Roses reflects far more light (LRV 74 vs 24), opening up a space where Cement grey encloses it.
Yellow Roses reflects far more light (LRV 74 vs 57), opening up a space where Guilford Green encloses it.