Columbine vs Skimming Stone
Where Columbine belongs to Cloverdale Paint's range, Skimming Stone is a Farrow & Ball color. Hue-wise, Columbine belongs to the pink-red family and Skimming Stone to the beige-greige family. Columbine (LRV 76) reflects noticeably more light than Skimming Stone (LRV 68), a difference of 8 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 10.9, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Columbine vs Skimming Stone in Real Spaces
4 real rooms side by side. Seeing Columbine and Skimming Stone in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Columbine gives the walls a little more lift.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Columbine reads slightly lighter here — a subtle but real difference in how open the space feels.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Columbine reads slightly lighter here — a subtle but real difference in how open the space feels.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Columbine reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Columbine vs Skimming Stone Simulated Comparison
5 simulated room previews — drag the slider on each to see Columbine on one side and Skimming Stone on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Columbine comparisons
See how Columbine stacks up against other well-photographed colors across different brands and tones.
White Dove reads slightly lighter (LRV 83 vs 76), a gap that shows most in low-lit rooms.
At LRV 76 vs 52, Columbine is decisively the brighter choice.
At LRV 76 vs 30, Columbine is decisively the brighter choice.
At LRV 76 vs 60, Columbine is decisively the brighter choice.
Columbine reflects far more light (LRV 76 vs 58), opening up a space where Accessible Beige encloses it.
Columbine reflects far more light (LRV 76 vs 27), opening up a space where Denim Drift encloses it.
At LRV 76 vs 43, Columbine is decisively the brighter choice.
Columbine reflects far more light (LRV 76 vs 55), opening up a space where Tranquil Dawn encloses it.
Columbine reflects far more light (LRV 76 vs 44), opening up a space where Hardwick White encloses it.
A 8-point LRV gap (84 vs 76) makes Pure White the marginally brighter of the two.
Columbine reads slightly lighter (LRV 76 vs 66), a gap that shows most in low-lit rooms.
With LRVs of 76 and 74, the two reflect almost the same amount of light.
Columbine reflects far more light (LRV 76 vs 12), opening up a space where Pewter Green encloses it.
Columbine reflects far more light (LRV 76 vs 12), opening up a space where Vintage Vogue encloses it.
Columbine reflects far more light (LRV 76 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 76 vs 31, Columbine is decisively the brighter choice.
At LRV 76 vs 7, Columbine is decisively the brighter choice.
At LRV 76 vs 24, Columbine is decisively the brighter choice.
At LRV 76 vs 57, Columbine is decisively the brighter choice.
A 4-point LRV gap (76 vs 72) makes Columbine the marginally brighter of the two.