Dolomite vs Hicks' Blue
Dolomite is a Cloverdale Paint color while Hicks' Blue comes from Little Greene. Hue-wise, Dolomite belongs to the grey family and Hicks' Blue to the blue family. Dolomite has an LRV of 40. At ΔE 36.6, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dolomite vs Hicks' Blue in Real Spaces
3 real rooms side by side. Seeing Dolomite and Hicks' Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Dolomite vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Dolomite on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dolomite comparisons
See how Dolomite stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 40, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 40), opening up a space where Dolomite encloses it.
Dolomite reads slightly lighter (LRV 40 vs 30), a gap that shows most in low-lit rooms.
Agreeable Gray reflects far more light (LRV 60 vs 40), opening up a space where Dolomite encloses it.
At LRV 58 vs 40, Accessible Beige is decisively the brighter choice.
At LRV 40 vs 27, Dolomite is decisively the brighter choice.
French Gray reads slightly lighter (LRV 43 vs 40), a gap that shows most in low-lit rooms.
At LRV 55 vs 40, Tranquil Dawn is decisively the brighter choice.
A 4-point LRV gap (44 vs 40) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 40), opening up a space where Dolomite encloses it.
At LRV 66 vs 40, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 40, Shoji White is decisively the brighter choice.
At LRV 40 vs 12, Dolomite is decisively the brighter choice.
At LRV 40 vs 8, Dolomite is decisively the brighter choice.
At LRV 68 vs 40, Skimming Stone is decisively the brighter choice.
At LRV 40 vs 12, Dolomite is decisively the brighter choice.
A 6-point LRV gap (45 vs 40) makes Saybrook Sage the marginally brighter of the two.
Dolomite reads slightly lighter (LRV 40 vs 31), a gap that shows most in low-lit rooms.
Dolomite reflects far more light (LRV 40 vs 7), opening up a space where Pine Needle encloses it.