Earl Grey vs Hicks' Blue
Earl Grey is a Cloverdale Paint color while Hicks' Blue comes from Little Greene. Hue-wise, Earl Grey belongs to the grey family and Hicks' Blue to the blue family. Earl Grey has an LRV of 11. At ΔE 13.5, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Earl Grey vs Hicks' Blue in Real Spaces
3 real rooms side by side. Seeing Earl Grey and Hicks' Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Earl Grey vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Earl Grey on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Earl Grey comparisons
See how Earl Grey stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 11), opening up a space where Earl Grey encloses it.
At LRV 52 vs 11, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 11, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 11, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 11), opening up a space where Earl Grey encloses it.
Denim Drift reflects far more light (LRV 27 vs 11), opening up a space where Earl Grey encloses it.
At LRV 43 vs 11, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 11), opening up a space where Earl Grey encloses it.
Hardwick White reflects far more light (LRV 44 vs 11), opening up a space where Earl Grey encloses it.
At LRV 84 vs 11, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 11), opening up a space where Earl Grey encloses it.
Shoji White reflects far more light (LRV 74 vs 11), opening up a space where Earl Grey encloses it.
With LRVs of 12 and 11, the two reflect almost the same amount of light.
Earl Grey reads slightly lighter (LRV 11 vs 8), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 11), opening up a space where Earl Grey encloses it.
With LRVs of 12 and 11, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 11), opening up a space where Earl Grey encloses it.
At LRV 31 vs 11, Pale Green is decisively the brighter choice.
A 4-point LRV gap (11 vs 7) makes Earl Grey the marginally brighter of the two.