In Good Taste vs Rainfall
Both are Cloverdale Paint colors. These are both blue-greys, so the question isn't which hue to choose — it's where within blue-grey to land. With LRVs of 33 and 32, they'll behave almost identically in terms of how much light they reflect back into a room. With a ΔE of 2.0, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
In Good Taste vs Rainfall in Real Spaces
5 real rooms side by side. In Good Taste and Rainfall are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Color Details
In Good Taste vs Rainfall Simulated Comparison
5 simulated room previews — drag the slider on each to see In Good Taste on one side and Rainfall on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More In Good Taste comparisons
See how In Good Taste stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 33), opening up a space where In Good Taste encloses it.
At LRV 83 vs 33, White Dove is decisively the brighter choice.
At LRV 33 vs 6, In Good Taste is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 33), opening up a space where In Good Taste encloses it.
With LRVs of 33 and 30, the two reflect almost the same amount of light.
At LRV 52 vs 33, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 33), opening up a space where In Good Taste encloses it.
At LRV 58 vs 33, Accessible Beige is decisively the brighter choice.
A 6-point LRV gap (33 vs 27) makes In Good Taste the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 33), a gap that shows most in low-lit rooms.
In Good Taste reflects far more light (LRV 33 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 33, Tranquil Dawn is decisively the brighter choice.
At LRV 33 vs 13, In Good Taste is decisively the brighter choice.
A 11-point LRV gap (44 vs 33) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 33), opening up a space where In Good Taste encloses it.
In Good Taste reads slightly lighter (LRV 33 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 33, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 33, Shoji White is decisively the brighter choice.
At LRV 83 vs 33, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 33), opening up a space where In Good Taste encloses it.
At LRV 33 vs 12, In Good Taste is decisively the brighter choice.
At LRV 33 vs 8, In Good Taste is decisively the brighter choice.
At LRV 68 vs 33, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 33), a gap that shows most in low-lit rooms.
At LRV 33 vs 12, In Good Taste is decisively the brighter choice.
At LRV 45 vs 33, Saybrook Sage is decisively the brighter choice.
With LRVs of 33 and 31, the two reflect almost the same amount of light.