Loch Ness vs Slipper Satin
Loch Ness (Cloverdale Paint) and Slipper Satin (Farrow & Ball) come from different manufacturers. Hue-wise, Loch Ness belongs to the beige-yellow family and Slipper Satin to the beige family. Their light reflectance values are nearly the same — 75 vs 75 — so neither will read significantly brighter or darker than the other. A ΔE of 1.4 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Loch Ness vs Slipper Satin in Real Spaces
3 real rooms side by side. Loch Ness and Slipper Satin are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Loch Ness vs Slipper Satin Simulated Comparison
5 simulated room previews — drag the slider on each to see Loch Ness on one side and Slipper Satin on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Loch Ness comparisons
See how Loch Ness stacks up against other well-photographed colors across different brands and tones.
White Dove reads slightly lighter (LRV 83 vs 75), a gap that shows most in low-lit rooms.
At LRV 75 vs 52, Loch Ness is decisively the brighter choice.
At LRV 75 vs 30, Loch Ness is decisively the brighter choice.
At LRV 75 vs 60, Loch Ness is decisively the brighter choice.
Loch Ness reflects far more light (LRV 75 vs 58), opening up a space where Accessible Beige encloses it.
Loch Ness reflects far more light (LRV 75 vs 27), opening up a space where Denim Drift encloses it.
At LRV 75 vs 43, Loch Ness is decisively the brighter choice.
Loch Ness reflects far more light (LRV 75 vs 55), opening up a space where Tranquil Dawn encloses it.
Loch Ness reflects far more light (LRV 75 vs 44), opening up a space where Hardwick White encloses it.
A 9-point LRV gap (84 vs 75) makes Pure White the marginally brighter of the two.
Loch Ness reads slightly lighter (LRV 75 vs 66), a gap that shows most in low-lit rooms.
With LRVs of 75 and 74, the two reflect almost the same amount of light.
Loch Ness reflects far more light (LRV 75 vs 12), opening up a space where Pewter Green encloses it.
Loch Ness reflects far more light (LRV 75 vs 8), opening up a space where Duck Green encloses it.
Loch Ness reads slightly lighter (LRV 75 vs 68), a gap that shows most in low-lit rooms.
Loch Ness reflects far more light (LRV 75 vs 12), opening up a space where Vintage Vogue encloses it.
Loch Ness reflects far more light (LRV 75 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 75 vs 31, Loch Ness is decisively the brighter choice.