Pale Loden vs Skylight
Pale Loden (Cloverdale Paint) and Skylight (Farrow & Ball) come from different manufacturers. Pale Loden reads as green-grey, while Skylight reads as grey — two distinct hue families, not close cousins. Their light reflectance values are nearly the same — 64 vs 62 — so neither will read significantly brighter or darker than the other. A ΔE of 2.4 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Pale Loden vs Skylight in Real Spaces
3 real rooms side by side. Pale Loden and Skylight are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Pale Loden vs Skylight Simulated Comparison
5 simulated room previews — drag the slider on each to see Pale Loden on one side and Skylight on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Pale Loden comparisons
See how Pale Loden stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 64, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 64), a gap that shows most in low-lit rooms.
At LRV 64 vs 6, Pale Loden is decisively the brighter choice.
Pale Loden reflects far more light (LRV 64 vs 52), opening up a space where Purbeck Stone encloses it.
Pale Loden reflects far more light (LRV 64 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 64 vs 52, Pale Loden is decisively the brighter choice.
Pale Loden reads slightly lighter (LRV 64 vs 60), a gap that shows most in low-lit rooms.
A 6-point LRV gap (64 vs 58) makes Pale Loden the marginally brighter of the two.
At LRV 64 vs 27, Pale Loden is decisively the brighter choice.
Pale Loden reflects far more light (LRV 64 vs 43), opening up a space where French Gray encloses it.
Pale Loden reflects far more light (LRV 64 vs 4), opening up a space where Naval encloses it.
A 9-point LRV gap (64 vs 55) makes Pale Loden the marginally brighter of the two.
At LRV 64 vs 13, Pale Loden is decisively the brighter choice.
At LRV 64 vs 44, Pale Loden is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 64), opening up a space where Pale Loden encloses it.
Pale Loden reflects far more light (LRV 64 vs 21), opening up a space where Artichoke encloses it.
Their light reflectance is nearly identical (LRV 66 vs 64), so neither reads brighter in a room.
A 10-point LRV gap (74 vs 64) makes Shoji White the marginally brighter of the two.
At LRV 83 vs 64, Snowbound is decisively the brighter choice.
At LRV 64 vs 12, Pale Loden is decisively the brighter choice.
A 4-point LRV gap (68 vs 64) makes Skimming Stone the marginally brighter of the two.
Pale Loden reflects far more light (LRV 64 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 64), a gap that shows most in low-lit rooms.
Pale Loden reflects far more light (LRV 64 vs 25), opening up a space where Treron encloses it.
At LRV 64 vs 12, Pale Loden is decisively the brighter choice.
At LRV 64 vs 45, Pale Loden is decisively the brighter choice.
Pale Loden reflects far more light (LRV 64 vs 31), opening up a space where Pale Green encloses it.
Pale Loden reflects far more light (LRV 64 vs 7), opening up a space where Pine Needle encloses it.
Pale Loden reflects far more light (LRV 64 vs 24), opening up a space where Cement grey encloses it.
Pale Loden reads slightly lighter (LRV 64 vs 57), a gap that shows most in low-lit rooms.