Potash vs Pure White
Potash is a Cloverdale Paint color while Pure White comes from Sherwin-Williams. These are both beige-greiges, so the question isn't which hue to choose — it's where within beige-greige to land. At LRV 84 vs 65, Pure White will read as the brighter of the two — a 19-point gap that matters most in north-facing or low-light rooms. At ΔE 9.7, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Potash vs Pure White in Real Spaces
4 real rooms side by side. Potash and Pure White are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Pure White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Pure White will make the room feel meaningfully brighter than Potash would.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The LRV gap is large enough that Pure White will make the room feel meaningfully brighter than Potash would.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that Pure White will make the room feel meaningfully brighter than Potash would.
Color Details
Potash vs Pure White Simulated Comparison
5 simulated room previews — drag the slider on each to see Potash on one side and Pure White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Potash comparisons
See how Potash stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 65, White Dove is decisively the brighter choice.
Potash reflects far more light (LRV 65 vs 52), opening up a space where Purbeck Stone encloses it.
Potash reflects far more light (LRV 65 vs 30), opening up a space where Evergreen Fog encloses it.
Potash reads slightly lighter (LRV 65 vs 60), a gap that shows most in low-lit rooms.
A 7-point LRV gap (65 vs 58) makes Potash the marginally brighter of the two.
At LRV 65 vs 27, Potash is decisively the brighter choice.
Potash reflects far more light (LRV 65 vs 43), opening up a space where French Gray encloses it.
A 10-point LRV gap (65 vs 55) makes Potash the marginally brighter of the two.
At LRV 65 vs 44, Potash is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 66 vs 65), so neither reads brighter in a room.
A 10-point LRV gap (74 vs 65) makes Shoji White the marginally brighter of the two.
At LRV 65 vs 12, Potash is decisively the brighter choice.
A 3-point LRV gap (68 vs 65) makes Skimming Stone the marginally brighter of the two.
At LRV 65 vs 12, Potash is decisively the brighter choice.
At LRV 65 vs 45, Potash is decisively the brighter choice.
Potash reflects far more light (LRV 65 vs 31), opening up a space where Pale Green encloses it.
Potash reflects far more light (LRV 65 vs 7), opening up a space where Pine Needle encloses it.
Potash reflects far more light (LRV 65 vs 24), opening up a space where Cement grey encloses it.
Potash reads slightly lighter (LRV 65 vs 57), a gap that shows most in low-lit rooms.
Just Walnut reads slightly lighter (LRV 72 vs 65), a gap that shows most in low-lit rooms.