Potash vs Shoji White
Where Potash belongs to Cloverdale Paint's range, Shoji White is a Sherwin-Williams color. Both sit in the beige-greige family, which is useful context if you're narrowing within a single hue direction. Shoji White (LRV 74) reflects noticeably more light than Potash (LRV 65), a difference of 10 points that becomes especially apparent in rooms with limited natural light. The ΔE 4.7 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Potash vs Shoji White in Real Spaces
5 real rooms side by side. Potash and Shoji White are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Shoji White will make the room feel meaningfully brighter than Potash would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Shoji White reflects noticeably more light off the walls, making the space read more open than Potash.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Shoji White reflects noticeably more light off the walls, making the space read more open than Potash.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Shoji White returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Shoji White reflects noticeably more light off the walls, making the space read more open than Potash.
Color Details
Potash vs Shoji White Simulated Comparison
5 simulated room previews — drag the slider on each to see Potash on one side and Shoji White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Potash comparisons
See how Potash stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 65, White Dove is decisively the brighter choice.
Potash reflects far more light (LRV 65 vs 52), opening up a space where Purbeck Stone encloses it.
Potash reflects far more light (LRV 65 vs 30), opening up a space where Evergreen Fog encloses it.
Potash reads slightly lighter (LRV 65 vs 60), a gap that shows most in low-lit rooms.
A 7-point LRV gap (65 vs 58) makes Potash the marginally brighter of the two.
At LRV 65 vs 27, Potash is decisively the brighter choice.
Potash reflects far more light (LRV 65 vs 43), opening up a space where French Gray encloses it.
A 10-point LRV gap (65 vs 55) makes Potash the marginally brighter of the two.
At LRV 65 vs 44, Potash is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 65), opening up a space where Potash encloses it.
Their light reflectance is nearly identical (LRV 66 vs 65), so neither reads brighter in a room.
At LRV 65 vs 12, Potash is decisively the brighter choice.
At LRV 65 vs 8, Potash is decisively the brighter choice.
A 3-point LRV gap (68 vs 65) makes Skimming Stone the marginally brighter of the two.
At LRV 65 vs 12, Potash is decisively the brighter choice.
At LRV 65 vs 45, Potash is decisively the brighter choice.
Potash reflects far more light (LRV 65 vs 31), opening up a space where Pale Green encloses it.
Potash reflects far more light (LRV 65 vs 7), opening up a space where Pine Needle encloses it.