Raw Clay vs Agreeable Gray
Raw Clay (Cloverdale Paint) and Agreeable Gray (Sherwin-Williams) come from different manufacturers. Both sit in the greige-grey family, which is useful context if you're narrowing within a single hue direction. The 29-point LRV gap — 60 for Agreeable Gray vs 32 for Raw Clay — means Agreeable Gray will open up a space more effectively. A ΔE of 19.4 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Raw Clay vs Agreeable Gray in Real Spaces
5 real rooms side by side. Seeing Raw Clay and Agreeable Gray in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Agreeable Gray reflects noticeably more light off the walls, making the space read more open than Raw Clay.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Agreeable Gray returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Agreeable Gray returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that Agreeable Gray will make the room feel meaningfully brighter than Raw Clay would.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Agreeable Gray returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Raw Clay vs Agreeable Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Raw Clay on one side and Agreeable Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Raw Clay comparisons
See how Raw Clay stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 32), opening up a space where Raw Clay encloses it.
At LRV 52 vs 32, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 32 vs 30), so neither reads brighter in a room.
Accessible Beige reflects far more light (LRV 58 vs 32), opening up a space where Raw Clay encloses it.
Raw Clay reads slightly lighter (LRV 32 vs 27), a gap that shows most in low-lit rooms.
A 12-point LRV gap (43 vs 32) makes French Gray the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 32), opening up a space where Raw Clay encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 32), a gap that shows most in low-lit rooms.
At LRV 84 vs 32, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 32), opening up a space where Raw Clay encloses it.
Shoji White reflects far more light (LRV 74 vs 32), opening up a space where Raw Clay encloses it.
Raw Clay reflects far more light (LRV 32 vs 12), opening up a space where Pewter Green encloses it.
Raw Clay reflects far more light (LRV 32 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 32), opening up a space where Raw Clay encloses it.
Raw Clay reflects far more light (LRV 32 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 32), opening up a space where Raw Clay encloses it.
Their light reflectance is nearly identical (LRV 32 vs 31), so neither reads brighter in a room.
At LRV 32 vs 7, Raw Clay is decisively the brighter choice.