Rye vs Ammonite
Rye is a Cloverdale Paint color while Ammonite comes from Farrow & Ball. Rye reads as beige, while Ammonite reads as beige-greige — two distinct hue families, not close cousins. At LRV 69 vs 32, Ammonite will read as the brighter of the two — a 37-point gap that matters most in north-facing or low-light rooms. At ΔE 30.2, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Rye vs Ammonite in Real Spaces
5 real rooms side by side. Seeing Rye and Ammonite in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Ammonite returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Ammonite will make the room feel meaningfully brighter than Rye would.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The LRV gap is large enough that Ammonite will make the room feel meaningfully brighter than Rye would.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. Ammonite reflects noticeably more light off the walls, making the space read more open than Rye.
Color Details
Rye vs Ammonite Simulated Comparison
5 simulated room previews — drag the slider on each to see Rye on one side and Ammonite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Rye comparisons
See how Rye stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 32), opening up a space where Rye encloses it.
At LRV 52 vs 32, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 32 vs 30), so neither reads brighter in a room.
At LRV 60 vs 32, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 32), opening up a space where Rye encloses it.
Rye reads slightly lighter (LRV 32 vs 27), a gap that shows most in low-lit rooms.
A 11-point LRV gap (43 vs 32) makes French Gray the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 32), opening up a space where Rye encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 32), a gap that shows most in low-lit rooms.
At LRV 84 vs 32, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 32), opening up a space where Rye encloses it.
Shoji White reflects far more light (LRV 74 vs 32), opening up a space where Rye encloses it.
Rye reflects far more light (LRV 32 vs 12), opening up a space where Pewter Green encloses it.
Rye reflects far more light (LRV 32 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 32), opening up a space where Rye encloses it.
Rye reflects far more light (LRV 32 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 32), opening up a space where Rye encloses it.
Their light reflectance is nearly identical (LRV 32 vs 31), so neither reads brighter in a room.
