Storm Front vs Earl Grey
Storm Front (Cloverdale Paint) and Earl Grey (Sherwin-Williams) come from different manufacturers. Both sit in the grey family, which is useful context if you're narrowing within a single hue direction. Their light reflectance values are nearly the same — 33 vs 32 — so neither will read significantly brighter or darker than the other. A ΔE of 1.3 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Storm Front vs Earl Grey in Real Spaces
5 real rooms side by side. Storm Front and Earl Grey are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Storm Front vs Earl Grey Simulated Comparison
5 simulated room previews — drag the slider on each to see Storm Front on one side and Earl Grey on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Storm Front comparisons
See how Storm Front stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 33), opening up a space where Storm Front encloses it.
At LRV 83 vs 33, White Dove is decisively the brighter choice.
At LRV 33 vs 6, Storm Front is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 33), opening up a space where Storm Front encloses it.
With LRVs of 33 and 30, the two reflect almost the same amount of light.
At LRV 52 vs 33, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 33), opening up a space where Storm Front encloses it.
At LRV 58 vs 33, Accessible Beige is decisively the brighter choice.
A 6-point LRV gap (33 vs 27) makes Storm Front the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 33), a gap that shows most in low-lit rooms.
Storm Front reflects far more light (LRV 33 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 33, Tranquil Dawn is decisively the brighter choice.
At LRV 33 vs 13, Storm Front is decisively the brighter choice.
A 10-point LRV gap (44 vs 33) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 33), opening up a space where Storm Front encloses it.
Storm Front reads slightly lighter (LRV 33 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 33, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 33, Shoji White is decisively the brighter choice.
At LRV 83 vs 33, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 33), opening up a space where Storm Front encloses it.
At LRV 33 vs 12, Storm Front is decisively the brighter choice.
At LRV 33 vs 8, Storm Front is decisively the brighter choice.
At LRV 68 vs 33, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 33), a gap that shows most in low-lit rooms.
At LRV 33 vs 12, Storm Front is decisively the brighter choice.
At LRV 45 vs 33, Saybrook Sage is decisively the brighter choice.
With LRVs of 33 and 31, the two reflect almost the same amount of light.