Take-Out vs Hicks' Blue
Take-Out (Cloverdale Paint) and Hicks' Blue (Little Greene) come from different manufacturers. Hue-wise, Take-Out belongs to the beige family and Hicks' Blue to the blue family. Take-Out has an LRV of 64. A ΔE of 53.6 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Take-Out vs Hicks' Blue in Real Spaces
3 real rooms side by side. Seeing Take-Out and Hicks' Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Take-Out vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Take-Out on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Take-Out comparisons
See how Take-Out stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 64), opening up a space where Take-Out encloses it.
At LRV 64 vs 52, Take-Out is decisively the brighter choice.
At LRV 64 vs 30, Take-Out is decisively the brighter choice.
A 4-point LRV gap (64 vs 60) makes Take-Out the marginally brighter of the two.
Take-Out reads slightly lighter (LRV 64 vs 58), a gap that shows most in low-lit rooms.
Take-Out reflects far more light (LRV 64 vs 27), opening up a space where Denim Drift encloses it.
At LRV 64 vs 43, Take-Out is decisively the brighter choice.
Take-Out reads slightly lighter (LRV 64 vs 55), a gap that shows most in low-lit rooms.
Take-Out reflects far more light (LRV 64 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 64, Pure White is decisively the brighter choice.
With LRVs of 66 and 64, the two reflect almost the same amount of light.
Shoji White reads slightly lighter (LRV 74 vs 64), a gap that shows most in low-lit rooms.
Take-Out reflects far more light (LRV 64 vs 12), opening up a space where Pewter Green encloses it.
Take-Out reflects far more light (LRV 64 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 64), a gap that shows most in low-lit rooms.
Take-Out reflects far more light (LRV 64 vs 12), opening up a space where Vintage Vogue encloses it.
Take-Out reflects far more light (LRV 64 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 64 vs 31, Take-Out is decisively the brighter choice.
At LRV 64 vs 7, Take-Out is decisively the brighter choice.