Understorey vs Crooked River
Where Understorey belongs to Cloverdale Paint's range, Crooked River is a Sherwin-Williams color. These are both greys, so the question isn't which hue to choose — it's where within grey to land. They have nearly identical light reflectance values (18 vs 19), so they'll read as similarly Dark in most lighting conditions. At ΔE 0.4, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Understorey vs Crooked River in Real Spaces
5 real rooms side by side. Understorey and Crooked River are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
Understorey vs Crooked River Simulated Comparison
5 simulated room previews — drag the slider on each to see Understorey on one side and Crooked River on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Understorey comparisons
See how Understorey stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 18), opening up a space where Understorey encloses it.
At LRV 69 vs 18, Ammonite is decisively the brighter choice.
Understorey reflects far more light (LRV 18 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 18, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 18, Evergreen Fog is decisively the brighter choice.
Mizzle reflects far more light (LRV 52 vs 18), opening up a space where Understorey encloses it.
At LRV 60 vs 18, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 18), opening up a space where Understorey encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 18), a gap that shows most in low-lit rooms.
At LRV 43 vs 18, French Gray is decisively the brighter choice.
At LRV 18 vs 4, Understorey is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 18), opening up a space where Understorey encloses it.
Understorey reads slightly lighter (LRV 18 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 18), opening up a space where Understorey encloses it.
At LRV 84 vs 18, Pure White is decisively the brighter choice.
A 3-point LRV gap (21 vs 18) makes Artichoke the marginally brighter of the two.
Balboa Mist reflects far more light (LRV 66 vs 18), opening up a space where Understorey encloses it.
Shoji White reflects far more light (LRV 74 vs 18), opening up a space where Understorey encloses it.
Snowbound reflects far more light (LRV 83 vs 18), opening up a space where Understorey encloses it.
Understorey reads slightly lighter (LRV 18 vs 12), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 18), opening up a space where Understorey encloses it.
At LRV 41 vs 18, Dix Blue is decisively the brighter choice.
At LRV 68 vs 18, Calamine is decisively the brighter choice.
A 7-point LRV gap (25 vs 18) makes Treron the marginally brighter of the two.
Understorey reads slightly lighter (LRV 18 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 18), opening up a space where Understorey encloses it.
At LRV 31 vs 18, Pale Green is decisively the brighter choice.
A 11-point LRV gap (18 vs 7) makes Understorey the marginally brighter of the two.
A 6-point LRV gap (24 vs 18) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 18, Guilford Green is decisively the brighter choice.