Warm Grey vs Hicks' Blue
Where Warm Grey belongs to Cloverdale Paint's range, Hicks' Blue is a Little Greene color. Hue-wise, Warm Grey belongs to the beige-grey family and Hicks' Blue to the blue family. Warm Grey has an LRV of 65. With a ΔE of 53.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Warm Grey vs Hicks' Blue in Real Spaces
3 real rooms side by side. Seeing Warm Grey and Hicks' Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. The distinction reads clearly at room scale, making the choice between them concrete.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. The distinction reads clearly at room scale, making the choice between them concrete.
Color Details
Warm Grey vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Warm Grey on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Warm Grey comparisons
See how Warm Grey stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 65, White Dove is decisively the brighter choice.
Warm Grey reflects far more light (LRV 65 vs 52), opening up a space where Purbeck Stone encloses it.
Warm Grey reflects far more light (LRV 65 vs 30), opening up a space where Evergreen Fog encloses it.
Warm Grey reads slightly lighter (LRV 65 vs 60), a gap that shows most in low-lit rooms.
A 8-point LRV gap (65 vs 58) makes Warm Grey the marginally brighter of the two.
At LRV 65 vs 27, Warm Grey is decisively the brighter choice.
Warm Grey reflects far more light (LRV 65 vs 43), opening up a space where French Gray encloses it.
A 10-point LRV gap (65 vs 55) makes Warm Grey the marginally brighter of the two.
At LRV 65 vs 44, Warm Grey is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 65), opening up a space where Warm Grey encloses it.
Their light reflectance is nearly identical (LRV 66 vs 65), so neither reads brighter in a room.
A 9-point LRV gap (74 vs 65) makes Shoji White the marginally brighter of the two.
At LRV 65 vs 12, Warm Grey is decisively the brighter choice.
At LRV 65 vs 8, Warm Grey is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 65), so neither reads brighter in a room.
At LRV 65 vs 12, Warm Grey is decisively the brighter choice.
At LRV 65 vs 45, Warm Grey is decisively the brighter choice.
Warm Grey reflects far more light (LRV 65 vs 31), opening up a space where Pale Green encloses it.
Warm Grey reflects far more light (LRV 65 vs 7), opening up a space where Pine Needle encloses it.