All White vs Hicks' Blue
All White (Farrow & Ball) and Hicks' Blue (Little Greene) come from different manufacturers. Hue-wise, All White belongs to the beige-white family and Hicks' Blue to the blue family. All White has an LRV of 94. Where All White leans warm, Hicks' Blue reads blue — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 63.0 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
All White vs Hicks' Blue in Real Spaces
3 real rooms side by side. Seeing All White and Hicks' Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
All White vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see All White on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More All White comparisons
See how All White stacks up against other well-photographed colors across different brands and tones.
All White reads slightly lighter (LRV 94 vs 83), a gap that shows most in low-lit rooms.
At LRV 94 vs 52, All White is decisively the brighter choice.
At LRV 94 vs 30, All White is decisively the brighter choice.
At LRV 94 vs 60, All White is decisively the brighter choice.
All White reflects far more light (LRV 94 vs 58), opening up a space where Accessible Beige encloses it.
All White reflects far more light (LRV 94 vs 27), opening up a space where Denim Drift encloses it.
At LRV 94 vs 43, All White is decisively the brighter choice.
All White reflects far more light (LRV 94 vs 55), opening up a space where Tranquil Dawn encloses it.
All White reflects far more light (LRV 94 vs 44), opening up a space where Hardwick White encloses it.
A 11-point LRV gap (94 vs 84) makes All White the marginally brighter of the two.
All White reflects far more light (LRV 94 vs 66), opening up a space where Balboa Mist encloses it.
All White reflects far more light (LRV 94 vs 74), opening up a space where Shoji White encloses it.
All White reflects far more light (LRV 94 vs 12), opening up a space where Pewter Green encloses it.
All White reflects far more light (LRV 94 vs 8), opening up a space where Duck Green encloses it.
All White reflects far more light (LRV 94 vs 68), opening up a space where Skimming Stone encloses it.
All White reflects far more light (LRV 94 vs 12), opening up a space where Vintage Vogue encloses it.
All White reflects far more light (LRV 94 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 94 vs 31, All White is decisively the brighter choice.
At LRV 94 vs 7, All White is decisively the brighter choice.