Dead Salmon vs Artichoke
Where Dead Salmon belongs to Farrow & Ball's range, Artichoke is a Sherwin-Williams color. Dead Salmon reads as beige-greige, while Artichoke reads as grey — two distinct hue families, not close cousins. Dead Salmon (LRV 36) reflects noticeably more light than Artichoke (LRV 21), a difference of 15 points that becomes especially apparent in rooms with limited natural light. Dead Salmon runs warm while Artichoke is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 18.0, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 7 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dead Salmon vs Artichoke in Real Spaces
7 real rooms side by side. Seeing Dead Salmon and Artichoke in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Dead Salmon will make the room feel meaningfully brighter than Artichoke would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Dead Salmon reflects noticeably more light off the walls, making the space read more open than Artichoke.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Dead Salmon reflects noticeably more light off the walls, making the space read more open than Artichoke.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Dead Salmon reflects noticeably more light off the walls, making the space read more open than Artichoke.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Dead Salmon reflects noticeably more light off the walls, making the space read more open than Artichoke.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Dead Salmon will make the room feel meaningfully brighter than Artichoke would.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Dead Salmon reflects noticeably more light off the walls, making the space read more open than Artichoke.
Color Details
Dead Salmon vs Artichoke Simulated Comparison
5 simulated room previews — drag the slider on each to see Dead Salmon on one side and Artichoke on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dead Salmon comparisons
See how Dead Salmon stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 36, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 36), opening up a space where Dead Salmon encloses it.
Dead Salmon reflects far more light (LRV 36 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 36, Purbeck Stone is decisively the brighter choice.
A 6-point LRV gap (36 vs 30) makes Dead Salmon the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 36), opening up a space where Dead Salmon encloses it.
At LRV 60 vs 36, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 36), opening up a space where Dead Salmon encloses it.
Dead Salmon reads slightly lighter (LRV 36 vs 27), a gap that shows most in low-lit rooms.
A 7-point LRV gap (43 vs 36) makes French Gray the marginally brighter of the two.
At LRV 36 vs 4, Dead Salmon is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 36), opening up a space where Dead Salmon encloses it.
Dead Salmon reflects far more light (LRV 36 vs 13), opening up a space where Bancha encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 36), a gap that shows most in low-lit rooms.
At LRV 84 vs 36, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 36), opening up a space where Dead Salmon encloses it.
Shoji White reflects far more light (LRV 74 vs 36), opening up a space where Dead Salmon encloses it.
Snowbound reflects far more light (LRV 83 vs 36), opening up a space where Dead Salmon encloses it.
At LRV 51 vs 36, Pigeon is decisively the brighter choice.
Dead Salmon reflects far more light (LRV 36 vs 12), opening up a space where Pewter Green encloses it.
Dead Salmon reflects far more light (LRV 36 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 36), opening up a space where Dead Salmon encloses it.
A 5-point LRV gap (41 vs 36) makes Dix Blue the marginally brighter of the two.
Dead Salmon reflects far more light (LRV 36 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reads slightly lighter (LRV 45 vs 36), a gap that shows most in low-lit rooms.
A 5-point LRV gap (36 vs 31) makes Dead Salmon the marginally brighter of the two.
At LRV 36 vs 7, Dead Salmon is decisively the brighter choice.