James White vs Restful White
James White is a Farrow & Ball color while Restful White comes from Sherwin-Williams. Both sit in the beige-white family, which is useful context if you're narrowing within a single hue direction. With LRVs of 81 and 81, they'll behave almost identically in terms of how much light they reflect back into a room. They share a warm quality — useful to know if you're layering them in the same space. With a ΔE of 0.8, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
James White vs Restful White in Real Spaces
1 real room side by side. James White and Restful White are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Color Details
James White vs Restful White Simulated Comparison
5 simulated room previews — drag the slider on each to see James White on one side and Restful White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More James White comparisons
See how James White stacks up against other well-photographed colors across different brands and tones.
James White reads slightly lighter (LRV 81 vs 69), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 83 vs 81), so neither reads brighter in a room.
At LRV 81 vs 6, James White is decisively the brighter choice.
James White reflects far more light (LRV 81 vs 52), opening up a space where Purbeck Stone encloses it.
James White reflects far more light (LRV 81 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 81 vs 52, James White is decisively the brighter choice.
James White reflects far more light (LRV 81 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 81 vs 58, James White is decisively the brighter choice.
At LRV 81 vs 27, James White is decisively the brighter choice.
James White reflects far more light (LRV 81 vs 43), opening up a space where French Gray encloses it.
James White reflects far more light (LRV 81 vs 4), opening up a space where Naval encloses it.
At LRV 81 vs 55, James White is decisively the brighter choice.
At LRV 81 vs 13, James White is decisively the brighter choice.
At LRV 81 vs 44, James White is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 81), a gap that shows most in low-lit rooms.
James White reflects far more light (LRV 81 vs 21), opening up a space where Artichoke encloses it.
At LRV 81 vs 66, James White is decisively the brighter choice.
A 6-point LRV gap (81 vs 74) makes James White the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 83 vs 81), so neither reads brighter in a room.
James White reflects far more light (LRV 81 vs 51), opening up a space where Pigeon encloses it.
At LRV 81 vs 12, James White is decisively the brighter choice.
At LRV 81 vs 8, James White is decisively the brighter choice.
At LRV 81 vs 68, James White is decisively the brighter choice.
James White reflects far more light (LRV 81 vs 41), opening up a space where Dix Blue encloses it.
At LRV 81 vs 12, James White is decisively the brighter choice.
At LRV 81 vs 45, James White is decisively the brighter choice.
James White reflects far more light (LRV 81 vs 31), opening up a space where Pale Green encloses it.