Sandy vs Hicks' Blue
Sandy is a Jotun color while Hicks' Blue comes from Little Greene. Hue-wise, Sandy belongs to the beige-greige family and Hicks' Blue to the blue family. Sandy has an LRV of 30. The tonal difference — Sandy's warm character against Hicks' Blue's blue — becomes most visible against white trim or in morning light. At ΔE 36.9, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Sandy vs Hicks' Blue in Real Spaces
2 real rooms side by side. Seeing Sandy and Hicks' Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Sandy vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Sandy on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sandy comparisons
See how Sandy stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 30), opening up a space where Sandy encloses it.
At LRV 52 vs 30, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 30 vs 30), so neither reads brighter in a room.
At LRV 60 vs 30, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 30), opening up a space where Sandy encloses it.
With LRVs of 30 and 27, the two reflect almost the same amount of light.
At LRV 43 vs 30, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 30), opening up a space where Sandy encloses it.
Hardwick White reflects far more light (LRV 44 vs 30), opening up a space where Sandy encloses it.
At LRV 84 vs 30, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 30), opening up a space where Sandy encloses it.
Shoji White reflects far more light (LRV 74 vs 30), opening up a space where Sandy encloses it.
Sandy reflects far more light (LRV 30 vs 12), opening up a space where Pewter Green encloses it.
Sandy reflects far more light (LRV 30 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 30), opening up a space where Sandy encloses it.
Sandy reflects far more light (LRV 30 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 30), opening up a space where Sandy encloses it.
Their light reflectance is nearly identical (LRV 31 vs 30), so neither reads brighter in a room.
At LRV 30 vs 7, Sandy is decisively the brighter choice.