S 1000-N vs Nebulous White
Where S 1000-N belongs to NCS's range, Nebulous White is a Sherwin-Williams color. Hue-wise, S 1000-N belongs to the grey family and Nebulous White to the grey-white family. They have nearly identical light reflectance values (74 vs 74), so they'll read as similarly Light in most lighting conditions. Both lean neutral, so they'll behave similarly in mixed or changing light conditions. At ΔE 0.9, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
S 1000-N vs Nebulous White in Real Spaces
2 real rooms side by side. S 1000-N and Nebulous White are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
S 1000-N vs Nebulous White Simulated Comparison
5 simulated room previews — drag the slider on each to see S 1000-N on one side and Nebulous White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More S 1000-N comparisons
See how S 1000-N stacks up against other well-photographed colors across different brands and tones.
A 9-point LRV gap (83 vs 74) makes White Dove the marginally brighter of the two.
S 1000-N reflects far more light (LRV 74 vs 52), opening up a space where Purbeck Stone encloses it.
S 1000-N reflects far more light (LRV 74 vs 30), opening up a space where Evergreen Fog encloses it.
S 1000-N reflects far more light (LRV 74 vs 60), opening up a space where Agreeable Gray encloses it.
At LRV 74 vs 58, S 1000-N is decisively the brighter choice.
At LRV 74 vs 27, S 1000-N is decisively the brighter choice.
S 1000-N reflects far more light (LRV 74 vs 43), opening up a space where French Gray encloses it.
At LRV 74 vs 55, S 1000-N is decisively the brighter choice.
At LRV 74 vs 44, S 1000-N is decisively the brighter choice.
Pure White reads slightly lighter (LRV 84 vs 74), a gap that shows most in low-lit rooms.
A 8-point LRV gap (74 vs 66) makes S 1000-N the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 74 vs 74), so neither reads brighter in a room.
At LRV 74 vs 12, S 1000-N is decisively the brighter choice.
At LRV 74 vs 8, S 1000-N is decisively the brighter choice.
A 6-point LRV gap (74 vs 68) makes S 1000-N the marginally brighter of the two.
At LRV 74 vs 12, S 1000-N is decisively the brighter choice.
At LRV 74 vs 45, S 1000-N is decisively the brighter choice.
S 1000-N reflects far more light (LRV 74 vs 31), opening up a space where Pale Green encloses it.