S 2010-G50Y vs RAL 210-1 paint color comparison

S 2010-G50Y vs RAL 210-1

S 2010-G50YNCSvsRAL 210-1RAL EffectΔE 4.8Noticeable difference

S 2010-G50Y is a NCS color while RAL 210-1 comes from RAL Effect. Hue-wise, S 2010-G50Y belongs to the yellow family and RAL 210-1 to the beige-greige family. At LRV 57 vs 53, RAL 210-1 will read as the brighter of the two — a 4-point gap that matters most in north-facing or low-light rooms. At ΔE 4.8, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

S 2010-G50Y vs RAL 210-1 in Real Spaces

1 real room side by side. S 2010-G50Y and RAL 210-1 are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.

Bedroom

Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The brightness difference is modest but present — RAL 210-1 gives the walls a little more lift.

S 2010-G50YNCS S 2010-G50Y bedroom review

@fluggerfargfalun

RAL 210-1RAL Effect 210-1 bedroom

@visualization

Color Details

S 2010-G50Y
NCS · S 2010-G50Y
Hex#c0c2ad
LRV52.8
BrandNCS
NumberS 2010-G50Y
Undertone
TemperatureWarm
BrightnessMedium
RAL 210-1
RAL Effect · RAL 210-1
Hex#CFC6B2
LRV56.7
BrandRAL Effect
NumberRAL 210-1
Undertone
Temperature
BrightnessLight

S 2010-G50Y vs RAL 210-1 Simulated Comparison

5 simulated room previews — drag the slider on each to see S 2010-G50Y on one side and RAL 210-1 on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More S 2010-G50Y comparisons

See how S 2010-G50Y stacks up against other well-photographed colors across different brands and tones.

White Dove
S 2010-G50Y
White Dove
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

White Dove reflects far more light (LRV 83 vs 53), opening up a space where S 2010-G50Y encloses it.

Ammonite
S 2010-G50Y
Ammonite
S 2010-G50Y
Farrow & Ball
Ammonite
LRV 69
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

At LRV 69 vs 53, Ammonite is decisively the brighter choice.

S 2010-G50Y
Iron Ore
S 2010-G50Y
Iron Ore
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

S 2010-G50Y reflects far more light (LRV 53 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
S 2010-G50Y
Purbeck Stone
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

Their light reflectance is nearly identical (LRV 53 vs 52), so neither reads brighter in a room.

S 2010-G50Y
Evergreen Fog
S 2010-G50Y
Evergreen Fog
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

At LRV 53 vs 30, S 2010-G50Y is decisively the brighter choice.

Mizzle
Mizzle
S 2010-G50Y
S 2010-G50Y
Mizzle vs S 2010-G50Y
Farrow & Ball
Mizzle
LRV 52
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

With LRVs of 53 and 52, the two reflect almost the same amount of light.

S 2010-G50Y
Agreeable Gray
S 2010-G50Y
Agreeable Gray
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

A 8-point LRV gap (60 vs 53) makes Agreeable Gray the marginally brighter of the two.

S 2010-G50Y
Accessible Beige
S 2010-G50Y
Accessible Beige
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

Accessible Beige reads slightly lighter (LRV 58 vs 53), a gap that shows most in low-lit rooms.

Denim Drift
S 2010-G50Y
Denim Drift
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

S 2010-G50Y reflects far more light (LRV 53 vs 27), opening up a space where Denim Drift encloses it.

French Gray
S 2010-G50Y
French Gray
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

A 10-point LRV gap (53 vs 43) makes S 2010-G50Y the marginally brighter of the two.

S 2010-G50Y
Naval
S 2010-G50Y
Naval
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53
Sherwin-Williams
Naval
LRV 4

At LRV 53 vs 4, S 2010-G50Y is decisively the brighter choice.

Tranquil Dawn
S 2010-G50Y
Tranquil Dawn
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

With LRVs of 55 and 53, the two reflect almost the same amount of light.

Bancha
S 2010-G50Y
Bancha
S 2010-G50Y
Farrow & Ball
Bancha
LRV 13
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

S 2010-G50Y reflects far more light (LRV 53 vs 13), opening up a space where Bancha encloses it.

Hardwick White
S 2010-G50Y
Hardwick White
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

S 2010-G50Y reads slightly lighter (LRV 53 vs 44), a gap that shows most in low-lit rooms.

S 2010-G50Y
Pure White
S 2010-G50Y
Pure White
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

At LRV 84 vs 53, Pure White is decisively the brighter choice.

S 2010-G50Y
Artichoke
S 2010-G50Y
Artichoke
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53
Sherwin-Williams
Artichoke
LRV 21

At LRV 53 vs 21, S 2010-G50Y is decisively the brighter choice.

Balboa Mist
S 2010-G50Y
Balboa Mist
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

Balboa Mist reflects far more light (LRV 66 vs 53), opening up a space where S 2010-G50Y encloses it.

S 2010-G50Y
Shoji White
S 2010-G50Y
Shoji White
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

Shoji White reflects far more light (LRV 74 vs 53), opening up a space where S 2010-G50Y encloses it.

S 2010-G50Y
Snowbound
S 2010-G50Y
Snowbound
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 53), opening up a space where S 2010-G50Y encloses it.

S 2010-G50Y
Pewter Green
S 2010-G50Y
Pewter Green
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

S 2010-G50Y reflects far more light (LRV 53 vs 12), opening up a space where Pewter Green encloses it.

Skimming Stone
S 2010-G50Y
Skimming Stone
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

Skimming Stone reflects far more light (LRV 68 vs 53), opening up a space where S 2010-G50Y encloses it.

Dix Blue
S 2010-G50Y
Dix Blue
S 2010-G50Y
Farrow & Ball
Dix Blue
LRV 41
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

A 12-point LRV gap (53 vs 41) makes S 2010-G50Y the marginally brighter of the two.

Calamine
S 2010-G50Y
Calamine
S 2010-G50Y
Farrow & Ball
Calamine
LRV 68
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

At LRV 68 vs 53, Calamine is decisively the brighter choice.

Treron
S 2010-G50Y
Treron
S 2010-G50Y
Farrow & Ball
Treron
LRV 25
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

At LRV 53 vs 25, S 2010-G50Y is decisively the brighter choice.

Vintage Vogue
S 2010-G50Y
Vintage Vogue
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

S 2010-G50Y reflects far more light (LRV 53 vs 12), opening up a space where Vintage Vogue encloses it.

Saybrook Sage
Saybrook Sage
S 2010-G50Y
S 2010-G50Y
Saybrook Sage vs S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

S 2010-G50Y reads slightly lighter (LRV 53 vs 45), a gap that shows most in low-lit rooms.

S 2010-G50Y
Pale Green
S 2010-G50Y
Pale Green
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53
RAL ClassicClassic
Pale Green
LRV 31

At LRV 53 vs 31, S 2010-G50Y is decisively the brighter choice.

Pine Needle
S 2010-G50Y
Pine Needle
S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

At LRV 53 vs 7, S 2010-G50Y is decisively the brighter choice.

S 2010-G50Y
Cement grey
S 2010-G50Y
Cement grey
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53
RAL ClassicClassic
Cement grey
LRV 24

At LRV 53 vs 24, S 2010-G50Y is decisively the brighter choice.

Guilford Green
Guilford Green
S 2010-G50Y
S 2010-G50Y
Guilford Green vs S 2010-G50Y
NCS
S 2010-G50Y
S 2010-G50Y · LRV 53

A 4-point LRV gap (57 vs 53) makes Guilford Green the marginally brighter of the two.