Chilled Wine vs Snowbound
Chilled Wine is a PPG color while Snowbound comes from Sherwin-Williams. Chilled Wine reads as pink, while Snowbound reads as beige-greige — two distinct hue families, not close cousins. At LRV 83 vs 8, Snowbound will read as the brighter of the two — a 75-point gap that matters most in north-facing or low-light rooms. At ΔE 64.0, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 8 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Chilled Wine vs Snowbound in Real Spaces
8 real rooms side by side. Seeing Chilled Wine and Snowbound in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Snowbound returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Snowbound will make the room feel meaningfully brighter than Chilled Wine would.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The LRV gap is large enough that Snowbound will make the room feel meaningfully brighter than Chilled Wine would.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. Snowbound reflects noticeably more light off the walls, making the space read more open than Chilled Wine.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that Snowbound will make the room feel meaningfully brighter than Chilled Wine would.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. The LRV gap is large enough that Snowbound will make the room feel meaningfully brighter than Chilled Wine would.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The LRV gap is large enough that Snowbound will make the room feel meaningfully brighter than Chilled Wine would.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Snowbound returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Chilled Wine vs Snowbound Simulated Comparison
5 simulated room previews — drag the slider on each to see Chilled Wine on one side and Snowbound on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Chilled Wine comparisons
See how Chilled Wine stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 8), opening up a space where Chilled Wine encloses it.
At LRV 83 vs 8, White Dove is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 8 vs 6), so neither reads brighter in a room.
Purbeck Stone reflects far more light (LRV 52 vs 8), opening up a space where Chilled Wine encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 8), opening up a space where Chilled Wine encloses it.
At LRV 52 vs 8, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 8), opening up a space where Chilled Wine encloses it.
At LRV 58 vs 8, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 8, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 8), opening up a space where Chilled Wine encloses it.
Chilled Wine reads slightly lighter (LRV 8 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 8, Tranquil Dawn is decisively the brighter choice.
A 5-point LRV gap (13 vs 8) makes Bancha the marginally brighter of the two.
At LRV 44 vs 8, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 8), opening up a space where Chilled Wine encloses it.
Artichoke reflects far more light (LRV 21 vs 8), opening up a space where Chilled Wine encloses it.
At LRV 66 vs 8, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 8, Shoji White is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 8), opening up a space where Chilled Wine encloses it.
A 4-point LRV gap (12 vs 8) makes Pewter Green the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 8 vs 8), so neither reads brighter in a room.
At LRV 68 vs 8, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 8), opening up a space where Chilled Wine encloses it.
A 4-point LRV gap (12 vs 8) makes Vintage Vogue the marginally brighter of the two.
At LRV 45 vs 8, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 8), opening up a space where Chilled Wine encloses it.
With LRVs of 8 and 7, the two reflect almost the same amount of light.