Earl Gray vs Pure White
Where Earl Gray belongs to PPG's range, Pure White is a Sherwin-Williams color. Earl Gray reads as greige-grey, while Pure White reads as beige-greige — two distinct hue families, not close cousins. Pure White (LRV 84) reflects noticeably more light than Earl Gray (LRV 32), a difference of 52 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 30.7, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 7 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Earl Gray vs Pure White in Real Spaces
7 real rooms side by side. Seeing Earl Gray and Pure White in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Pure White will make the room feel meaningfully brighter than Earl Gray would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Pure White reflects noticeably more light off the walls, making the space read more open than Earl Gray.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Pure White reflects noticeably more light off the walls, making the space read more open than Earl Gray.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Pure White reflects noticeably more light off the walls, making the space read more open than Earl Gray.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Pure White reflects noticeably more light off the walls, making the space read more open than Earl Gray.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Pure White reflects noticeably more light off the walls, making the space read more open than Earl Gray.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Pure White will make the room feel meaningfully brighter than Earl Gray would.
Color Details
Earl Gray vs Pure White Simulated Comparison
5 simulated room previews — drag the slider on each to see Earl Gray on one side and Pure White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Earl Gray comparisons
See how Earl Gray stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 32), opening up a space where Earl Gray encloses it.
At LRV 52 vs 32, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 32 vs 30), so neither reads brighter in a room.
At LRV 60 vs 32, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 32), opening up a space where Earl Gray encloses it.
Earl Gray reads slightly lighter (LRV 32 vs 27), a gap that shows most in low-lit rooms.
A 11-point LRV gap (43 vs 32) makes French Gray the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 32), opening up a space where Earl Gray encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 32), a gap that shows most in low-lit rooms.
Balboa Mist reflects far more light (LRV 66 vs 32), opening up a space where Earl Gray encloses it.
Shoji White reflects far more light (LRV 74 vs 32), opening up a space where Earl Gray encloses it.
Earl Gray reflects far more light (LRV 32 vs 12), opening up a space where Pewter Green encloses it.
Earl Gray reflects far more light (LRV 32 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 32), opening up a space where Earl Gray encloses it.
Earl Gray reflects far more light (LRV 32 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 32), opening up a space where Earl Gray encloses it.
Their light reflectance is nearly identical (LRV 32 vs 31), so neither reads brighter in a room.
At LRV 32 vs 7, Earl Gray is decisively the brighter choice.